A Quote by Jay Parini
I think the membrane - I say that the membrane between life and death is perilously thin. And I do think the story of Jesus, this great mythical story, can have transforming value in our lives.
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I want work that, possessing as thin a membrane as possible between life and art, foregrounds the question of how the writer solves being alive.
The story of my recent life.' I like that phrase. It makes more sense than 'the story of my life', because we get so many lives between birth and death. A life to be a child. A life to come of age. A life to wander, to settle, to fall in love, to parent, to test our promise, to realize our mortality- and in some lucky cases, to do something after that realization.
I've always felt that there's a very thin membrane between madness and alcoholism, and/or destitution and being an OK American guy in a comfortable heated apartment with meatballs and a decent Sauvignon Blanc in the fridge.
I find there's a thin, permeable membrane between journalism and history, and though some academic historians take a dim view of it, I gather a lot of strength and professional inspiration from passing back and forth across it.
Our problem is not that we're fallen; our problem is we haven't become human yet. The question is, what can make us human, so that we can give life away and give love away and not be grasping after trying to protect our own lives all the time? That's the way I see the Jesus story, and I think it's a powerful and profound story.
When we can let go of what other people think and own our story, we gain access to our worthiness—the feeling that we are enough just as we are and that we are worthy of love and belonging. When we spend a lifetime trying to distance ourselves from the parts of our lives that don’t fit with who we think we’re supposed to be, we stand outside of our story and hustle for our worthiness by constantly performing, perfecting, pleasing, and proving. Our sense of worthiness—that critically important piece that gives us access to love and belonging—lives inside of our story.
The membrane between where we are right now and a very different reality, is so much thinner than we like to think. Things can go back, and things can go to the side, and things can go to places where we might not even have been on guard that they might go. I think that if there is a great gift that this [Donald Trump] election gave us, is this sort of sense of vigilance, the sense that we have to remain on guard. We have to support our free press.
When we think of what is necessary for the phenomenon that we call life, we think of compartmentalization, keeping the molecules which are important for life in a membrane, isolated from the rest of the environment, but yet, in an environment in which they actually could originate together.
Known as the biosphere to scientists and as the creation to theologians, all of life together consists of a membrane around earth so thin that it cannot be seen edgewise from a satellite yet so prodigiously diverse that only a tiny fraction of species have been discovered and named.
The creation story is ridiculous garbage. And has given us a completely false picture of our origin as a species and the origins of the cosmos. If you want a good mythical story it would be the life of Socrates.
When you’re telling a story, you’re trying to connect to people in a particular way … The way in which you guys have inhabited this world, this universe, has made you part of it, part of the story. You are living in Firefly. When I see you guys, I don’t think the show is off the air. I don’t think there’s a show; I think that’s what the world is like. … The story is our lives.
And in reality, I don't think it's a real documentary. It's more a story of her life. It's a story of survival. It's a story of the time in which she lived. The story of success and failure.
I think we've broken story after story that the rest of the media refused to break even when they had the story because they were scared of the story, or they just didn't think it was appropriate.
There is a porous membrane between a documentary that doesn't use interviews and what you would call a neorealist hybrid film.
Most creatures have a vague belief that a very precarious hazard, a kind of transparent membrane, divides death from love; and that the profound idea of nature demands that the giver of life should die at the moment of giving.
This is our story to tell. You’d think for all the reading I do, I would have thought about this before, but I haven’t. I’ve never once thought about the interpretative, the story telling aspect of life, of my life. I always felt like I was in a story, yes, but not like I was the author of it, or like I had any say in its telling whatsoever.
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