A Quote by Jay Rock

When I was about 17 or 18, I would go through my boy's garage and they had a little studio set up. I would just play around there. — © Jay Rock
When I was about 17 or 18, I would go through my boy's garage and they had a little studio set up. I would just play around there.
I started to meditate formally at about 18. I would sit on a mountaintop in Southern California around twilight and focus on my third eye. Everything would become still and rings of light would appear, and I'd go through them. I would be beyond time and space.
In the old days when I first was coming up, you would turn up on set in the morning with your coffee, script, and hangover and you would figure out what you were going to do with the day and how you were going to play the scenes. You would rehearse and then invite the crew in to watch the actors go through the scenes. The actors would go away to makeup and costume and the director and the DP would work out how they were going to cover what the actors had just done.
I would go into a place that was quiet and isolated and think about how my character would feel in the situation, considering who he was and what he had been through. I would think about that even up to 30 minutes. And when I felt the character was in my body and I had left, I could walk onto set or into rehearsal.
I had wanted to play for Penarol since I was a boy. When I was young, I would go to their training ground, but at 18, I left Uruguay for Argentina, and my professional career started.
When I started making films I just decided "I'm the filmmaking equivalent of a garage band and I'll just make my garage band movies." But even the same musicians from garage bands would go to my movies and you could tell what they liked from the way that they dressed and they would be the first ones to walk out.
The first time I played golf was in Flushing Meadows, Queens, when I was about 16 or 17. They had an 18-hole pitch-and-putt. My buddies and I would hop the fence and sneak on and play.
I got my first laptop, what I learned to do everything on, when I was 17 or 18, and I had no idea what I was doing. I'd only ever produced on an 8-track before. When I was about 13 and writing songs, I would write on that. It would literally be eight tracks, and that's all I had.
Charles James was a dear friend of mine when I was a little boy - 17, 18. He was mad as a hatter. I had no idea how famous he was.
I think we have to go through everything we go through in our life, and I believe my purpose in life was to teach self-reliance. So I had the experience of relying on myself very early in life in order to have that knowing, because otherwise I would've just read about it. I think of it now as a great advantage that I had. It certainly taught me to rely upon myself at a very young age. And that's what I've been teaching since I was a little boy.
When I started really singing I was 17, 18 years old. I used to go around trying to be a singer in the Bronx. My knees would shake but I learned by doing.
It would be a dream come true if I could just go from studio to studio and play solos.
My family was, I think, a bit more radical than most Mormons, especially on the question of gender. So in my mind, growing up, there wasn't ever any question of what my future would look like. I would get married when I was 17 or 18. And I would be given some corner of the farm, and my husband would put a house on it, and we would have kids.
I would just be vibing with whatever I liked the most. And then there were a couple songs that I started on my own. I would have a melody or an idea and I would take it to the studio to go through it.
When I would visit my Granny as a little boy, we would play this game of closing our eyes and describing everything around us. The color of a tie. The shade of a cloth. It was really quite a wonderful way to learn how to look, to notice things and to appreciate what is around you.
I was fooled a bit during 'Laguna Beach.' I was 17, 18 years old, and I thought they just wanted to shoot a documentary, and that it probably wouldn't end up anywhere, anyway. Little did we know about the power of editing. I had no idea that it was going to be the soap drama that it was, but I picked up on that pretty quickly.
If I could, I would not do anything else. I'd just be in the studio for my whole life. I would never go to parties, events, and red carpets. I would rather just be in the studio for the whole time. I don't even care. Nobody has to know what I look like. I just want to make music.
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