A Quote by Jay Rock
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I come from making money in the streets. The streets all I know. All my family is still in the streets. So, it's going to be hard to pull me right back into that. When I ain't doing no shows four days out of the week, I may be in my hood or at my grandma's house in the hood. But yes, I got a kid. I got to get more serious about the music so he don't get dragged into that life.
With me, I always try to give my all to my hood, put my hood on my skin, man. I love it.
As I was coming up, it always seemed like I was learning. If it wasn't from school, it was the 'hood. The influences of the 'hood are very powerful.
I did this campaign that was called "Back to the Basics" where I went back to the street, went back to my block, and really felt the people. We've got to go back to that sometimes. We distance ourselves from that and we see it from afar. Some people can't relate back to that; once you're out of it, they don't want to relate back to that. It's always good to get back to the basics, though. You've got to touch the roots, you've got to touch those people. Regardless of what's going on, people always respect that.
I came back to the hood and got in those streets and started doing whatever it took for me to provide.
Curran gave me a flat look. "I can always drive to a burger joint instead." "Oh, so you'd throw a burger down my throat and expect making out in the back seat?" He grinned. "We can do it in the front seat instead, if you prefer. Or on the hood of the car." "I'm not doing it on the hood of the car." "Is that a dare?" Why me?
What I want to do right now is give hip hop back to the hood. Before it was a neighborhood thing where it belonged to the hood and the rappers were reporting and there were rules and parameters. Now it seems like the artist's game.
I think if you were to really peek under the hood of what got Aerosmith back again for our second life in the Eighties, you'll find out that it's exactly this, it's the willingness to take a risk.
For me, basketball was always about survival because I was just trying to get out the hood, right? When I got to Chicago, I'm like, 'I'm just trying to survive, and anybody I got to step on or break, so be it.'
When I first started rapping, I was just doing it for the hood to notice me - the hood fame - just to get people's attention around the city, to make me a little show money. But then music became my passion, it got real serious.
Always watch your back - when I was fourteen I got a tattoo of an eye on the back of my neck, so I could say I was always watchin' my back.
I used to write my own versions of famous tales, such as William Tell or Robin Hood, and illustrate them myself, too. When I entered my teens, I got more into horror and science fiction and wrote a lot of short stories. A literary education complicated things and for many years I wrote nothing but poetry. Then I got back to story-telling.
Back when I was growing up, gangs wasn't heavy. We was solo thugging. When we got money on our own, the hood got money. It wasn't about colors or a certain name when I was growing up. We wasn't doing no gangs. But as the generations change, things change.
I was always interested in designing - in fact, I styled my own look for my role in 'Kasauti Zindagi Kay' with the hood, bling and loose pants, which was novel back in 2006.
I like to go back to Memphis, where I started it. I might sit in the hood for three days just putting myself back there.
It's always frustrating when you drop the ball. But you've got to go back out there, and you've got to put that play in the back of your head and keep on going.
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