A Quote by Jay Sean
Besides the vocal warm ups, me and my band have a secret hand shake that we do just to get us all pumped. It's nice.
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I warm up. I do about 50 push-ups with my trainer and my security just to get pumped up before a show, get our energy up. And then I just go have fun.
When I do my vocal warm-ups everyone calls me the dolphin because I do stupid siren noises.
I have a whole regimen to my day: my vocal warm-ups, my prayers, my meditations... I pray three times a day. I try to have a real experience praying, not just do it. I really get deep into the idea and really try to get somewhere with it, to have an in-depth understanding of the idea.
I leave for the show at least an hour ahead, and I do some vocal warm-ups, and that's pretty much it.
Whatever I receive from a higher power gets me pumped, which gets the crowd pumped, which gets me more pumped, and then we're just pumped up.
'Circuital' was just so much about us as a band. We captured every song live, including the main vocal. That is probably my favorite My Morning Jacket record because it's really the essence of us being us. The solo record is just a completely different essence of just me trying to figure out stuff.
I thought about what I wanted to do besides playing violin and singing backup in a band. Don't get me wrong, playing and singing in That Dog was really fun, but I wanted to work on other musical projects and sing more. So I started a vocal project, i.e. Imaginaryland.
Every band should study Queen at Live Aid. If you really feel like that barrier is gone, you become Freddie Mercury. I consider him the greatest frontman of all time. Like, it's funny? You'd imagine that Freddie was more than human, but... You know how he controlled Wembley Stadium at Live Aid in 1985? He stood up there and did his vocal warm ups with the audience. Something that intimate, where they realize, 'Oh yeah, he's just a f***ing dude.'
I've never done any vocal warm ups, ever. As a matter of fact, I learned to sing playing three sets a night in smoky clubs.
We became friends as we became a band. Our friendship evolved as the band evolved. It had its ups and downs, but it was mostly ups for the four of us. We got along well almost all of the time. Hey! We liked each other and we still do.
The atmosphere was even greater than in Winnipeg last year. The place was almost packed for warm-ups, which was fun for us. You look at the group and you get your salute and you get the standing ovation and that means a lot to us.
I do this 'Walker shake.' You got to get knocked down many times, shake it off. Life is about ups and downs, and you got to keep standing up.
I may interrupt people or be nasty, but I am never rude. So every interview starts with a shake of a hand and ends with a shake of a hand.
As far as vocal preparation goes, it's really an interesting thing for such a fragile instrument and using it properly is like walking a tightrope. I have learned not to do extensive warm-ups. It's really more of a cerebral mind-body connection Zen hippy thing, just knowing your body and figuring out if I do that then I will be able to speak tomorrow.
If you shake your fist, the other guy will shake his too. But if you extend your hand to shake their hand, then they will extend theirs also, and you've made a friend.
It's important to be vocal, and to be fair, I've always had that in me, to be honest. One of the things my dad has always said to me is make sure you're vocal, and before the game, I always get a text off him telling me to do the things well and again, 'Be vocal, Dec.'
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