A Quote by Jay Sean

I've been fortunate to work with artists that are at the top of their respective genres. That allowed me to learn from them and their success. — © Jay Sean
I've been fortunate to work with artists that are at the top of their respective genres. That allowed me to learn from them and their success.
I've been out with lots of other artists opening for them on tour, and you just learn that none of their success came easy - it was all hard work for them, and you have to buckle down and get ready for the hard work yourself, too.
I have been incredibly fortunate to be able to work with good directors and for me it's not really a plan each time I'm on a set with one of them; I think about what I can learn from them because I'm very aware that my filmmaking skills are very modest.
I've been able to have broad kind of education and all sorts of different music and a lot of kind of films and also different styles and genres. And so, all of these things have influenced me along the way and I take a little bit from everything I do. I've been lucky to work with a lot of great people and learn from them.
I've been fortunate to work with Alfre Woodard and Jeffrey Wright; people who are artists, have careers, longevity and full lives. That looks good to me.
I think it's just growth, and development, timing. I've been fortunate to be around for a long time. Allowed me to get better as an actor. Allowed me to play better roles.
In the commercial theater, I've been pretty fortunate. The producers that I've worked with have allowed me to define the artistic integrity, the artistic limits of the work.
I've been fortunate to meet and work with a lot of really smart people. The thing that strikes me most about them is how they continue to explore and learn every day. I have tried to apply that approach in my modest career as well.
I know I am a human being. I can give myself to one year for a project. That is why I say I'm primitive in the way I work, especially compared to most artists. I came to New York in 1974, knowing that it is the art center of the world. But I didn't go to find people for my work. I do the work, and the people come to me, and I learn from them. That has always been my approach - to do the job first and then to respond to it after I finish and learn what people think about it. That's how I develop, and I'm more of an outsider in that way.
I don't know how to measure success. I have been fortunate that I got exciting films to do and work with talented directors who brought out the best in me.
I'm very fortunate in that my parents are artists. My mom is a brilliant poet... She still is a great visual artist. My dad is a jazz drummer... I've been very fortunate in that I've had parents who supported and encouraged me and haven't really questioned what I'm doing or asked me to question it.
The success of 'Scrubs' allowed me to pursue anything I felt passionately about without having to worry about money. It allowed me to spend my summer work shopping my show at a nonprofit theater.
I've been fortunate to work with good directors who understand improvisation and understand the way comedians work. Luke Basan let me do my thing like do what you feel and take the character to another level. Quentin Tarrantino was more of an acting coach. He can teach you beats and then hell say go with it but give this feeling. So I've been fortunate to work with good, seasoned directors.
I don't have a checklist. Whatever material excites me, they'll call for a certain genre or combination of genres. It'll come naturally and I'll be eager to learn how that thing works. I learn the rules, and I'll probably break some of them.
I think I've been fortunate to be at the top of the game and in the media for years, and a lot of times, people want to be your friend when you're on the top. You know, there have been times when I've been injured and I never got a phone call. So that's the way it is.
You know, I didn't write my books for critics and scholars. I wrote them for students and artists. When I hear how much my work has meant to them--well, I can't tell you how happy that makes me. That means that this great stuff of myth, which I have been so privileged to work with, will be kept alive for a whole new generation. That's the function of the artists, you know, to reinterpret the old stories and make them come alive again, in poetry, painting, and now in movies.
It's been great. I've been very lucky to work with more experienced actors early on in my career because I get a chance to learn from them. There is so much you can learn from them. You can just follow them and you'll be pretty safe.
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