A Quote by Jay Williams

If I take five seconds to think about something on TV, that five seconds is an eternity. — © Jay Williams
If I take five seconds to think about something on TV, that five seconds is an eternity.
Sixty-five seconds," he said. "You weren't breathing for sixty-five seconds after we found you. I lived and died during each one of them." He let out a breath. "Never again.
Touchstone watched, suddenly conscious that he probably only had five seconds left to be alone with Sabriel, to say something, to say anything. Perhaps the last five seconds they ever would have alone together. I am not afraid, he said to himself. "I love you," he whispered. "I hope you don't mind.
Twenty-five minutes is a long time to stay focused. It's really something I had to work on to go in there and not get complacent for 2 seconds or 5 seconds or 1 second. That's all it takes.
Anyone who has spent five seconds in my company, or two seconds in my bedroom knows that I am not a white supremacist.
The difficult thing about a pop record is that you're given guidelines: it has to have 3 choruses, and then it must be between 3 minutes fifteen seconds and three minutes forty-five seconds.
If the estimated age of the cosmos were shortened to seventy-two years, a human life would take about ten seconds. But look at time the other way. Each day is a minor eternity of over 86,000 seconds. During each second, the number of distinct molecular functions going on within the human body is comparable to the number of seconds in the estimated age of the cosmos. A few seconds are long enough for a revolutionary idea, a startling communication, a baby's conception, a wounding insult, a sudden death. Depending on how we think of them, our lives can be infinitely long or infinitely short.
If you have a five-second role in a film, and those five seconds make sense, then that is what matters.
People are going to be way more patient listening to what I have to say now. I don't have five seconds to get their attention, I have five minutes. That's a huge window.
No one coaches what to do after three seconds, after the quarterback's broken the pocket or he's been in the pocket for five, six seconds.
Meat, to me, it's slightly boring. Hold on, I love meat too, but only once in a while. You get a piece of meat, and you put it in your mouth, you chew, the first five seconds, all the juices flow around your mouth, they're gone, and then you are 20 more seconds chewing something that is tasteless at this point.
It's very interesting, the joke comes first and then the wording comes within five seconds, maybe ten seconds. My thing is to get the joke across in as few words as possible. However, sometimes a word that's not really needed does help the rhythm of it. It's a gut feeling.
Anytime that I have an impulse to pull out my phone and take a picture, especially of a landscape or something, if the first thing I do is reach for the phone, I actually force myself to sit there and at least wait thirty seconds before I actually grab my phone. I'm, like, "No, sit here for thirty seconds, and just see what you think about. What does this make you think about?"
I have pictures of my daughter, in the hospital, at three seconds, six seconds, nine seconds, and then fifteen seconds, 'cause dumbass couldn't get the camera ready fast enough. Yeah, ha ha ha. She wrote that in the photo album.
When you hear Liverpool want you, you call your agent back in about five seconds.
It only takes around 60 seconds to cast your vote in the polling station. 60 seconds to protect the economy, 60 seconds to protect your jobs, 60 seconds to protect the services your family relies on. A lot is at stake during those 60 seconds.
What I learned most was how to tell a story in 15 seconds or 30 seconds or 60 seconds - to have some kind of goal of what to try to do and make it happen in that time.
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