A Quote by Jay-Z

Rap has been a path between cultures in the best tradition of popular music. — © Jay-Z
Rap has been a path between cultures in the best tradition of popular music.
I've never been a rap guy, I don't really know that much about rap music, to be honest. I like it, but I think what really happened was just my music seems to work so well with rap music.
I feel like when it comes to rap - like, real rap music - and knowing the pioneers of rap, I feel like there's no competition for me in the NBA. Other guys can rap, but they're not as invested or as deep into actual music as I am and always have been. I think that might be what the difference is. I'm more wanting to be an artist.
In rap, as in most popular lyrics, a very low standard is set for rhyme; but this was not always the case with popular music.
I've got this diverse education, growing up in classical music and existing between that and music that is more visceral, so for sure, I've always been interested in music from other cultures.
It seems other rap artists are trying to follow a "tradition", or something... I don't consider us [Migos] as weirdos, we just went the other way and didn't follow the rap tradition. We just killed it and made it our tradition.
Rap is hardcore street music but there are women out there who can hang with the best male rappers. What holds us back is that girls tend to rap in these high, squeaky voices. It's irritating. You've gotta rap from the diaphragm.
I don't have any sympathy for the subject matter, [but] I have great respect for rap artists. In fact, not for the rap artists, but the people who make the music over which they rap. Rap music - the music itself is incredible - but [the people that make the music] are hardly ever credited.
I feel like battle rap is as popular as it's ever been, today. With Total Slaughter it's getting real popular.
Rap comes from the oral tradition. The oral tradition gives voice to those who would've otherwise been voiceless.
Gershwin's melodic gift was phenomenal. His songs contain the essence of New York in the 1920s and have deservedly become classics of their kind, part of the 20th-century folk-song tradition in the sense that they are popular music which has been spread by oral tradition (for many must have sung a Gershwin song without having any idea who wrote it).
I think people assume that whatever kind of music you make is the music you listen to. Don't get me wrong, I listen to tons of pop music and all the music that really inspires Best Coast is very straightforward '50s and '60s pop music, but I've been listening to R&B and rap since I was a kid. I grew up in L.A. It's part of the culture. I listen to anything.
[Europe has] this tradition of self revelation in popular music. We have it here - it's called Country Western Music... I think that's where the deeper and more complex subjects are treated.
There has been an effect of business rap on the output of today's rap music. But I don't think that's the modern day rapper's fault.
I think rap music is the sole reason for a lot of black acceptance in pop culture; because the music is very popular, it gets our image out in other ways than in movies.
We've been able to record the music of cultures that did not have recording, and thus preserve it. But there is also a negative aspect to this and that is the effect of the intrusion of the West on such cultures.
I was interested in a whole range of music that I used to play, popular music -- particularly American music -- that I heard a lot of when I was a teenager," "I think at a certain point it dawned on me that myself playing this music wasn't very convincing. It was more convincing when we played music that came from our own stock of tradition. ... I certainly feel a lot more comfortable playing so-called Celtic music.
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