A Quote by Jay-Z
When Basquiat was hanging out with Madonna and Fab Five Freddy, and all those worlds were colliding, people have to realize hip-hop and the arts were like this 'cause we both were outcasts: we wasn't allowed inside the galleries or inside Yankee Stadium. We were writing in the street and making music.
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Those who were on the inside, the majority that is, for them it had been hard to get his point, mostly they were just pleased that they were on the inside, that they were the fittest. For those on the outside, the fear and abandonment amounts to almost everything; everybody knows that. Understanding is something one does best when one is on the borderline.
[On marriage:] Someone once said that it was like a crowded church - those outside were endeavouring to get in, and those inside were making violent efforts to get out.
Once I was old enough to realize that the people I thought were inside the TV were actual people, it was like, 'I want to do that.'
In the early eighties, there were a lot of artists involved with the music scene. All those young artists, before their careers took off, were into music. Robert Longo used to play some guitar. He had a band for a while. Basquiat had a band. I mean, people were always trying to mix music and art - in fact, I'm guilty of it myself.
The ghetto music of my era is hip-hop. And Parliament, and Curtis Mayfield, and Marvin Gaye, that was all the ghetto stuff when I was a baby, and then when I was a teenager it was hip-hop and we were taking all those old '70s sounds and recreating them and putting them into a hip-hop format.
When I started out as a music journalist, at the end of the 1980s, it was generally assumed that we were living through the lamest music era the world would ever see. But those were also the years when hip-hop exploded, beatbox disco soared, indie rock took off, and new wave invented a language of teen angst.
All those people who went out [to Occupy Wall Street] missed work, didn't get paid. Those were individuals who were already feeling the effects of inequality, so they didn't have a lot to lose. And then the individuals who were louder, more disruptive and, in many ways, more effective at drawing attention to their concerns were immediately castigated by authorities. They were cordoned off, pepper-sprayed, thrown in jail.
I was the only punk rocker at my high school. And there were at least a handful of black kids who liked hip-hop. Both were kind of the new music of the day, and it was lonely being the only punk.
We were brash young fellows'. I was always hanging with the older crowd anyway. The musicians were the Hip Cats, and I was hanging with them anyway. I Just started out real early.
We were brash young fellows. I was always hanging with the older crowd anyway. The musicians were the Hip Cats, and I was hanging with them anyway. I Just started out real early.
Every day I went to the ballpark in Yankee Stadium as well as on the road people were on my back. The last six years in the American League were mental hell for me. I was drained of all my desire to play baseball.
I don't know if any of you feel this way, but it's like eventually, you see a woman come on screen and you go, "Oh, thank God!" You just sort of need a break from all this testosterone, which happened, I think, in one of my films, The Hurt Locker. I was in it for like five minutes, and people were like, "You were in that movie!" And I was like, "Well, kind of." And they were like, "No, you were!" 'Cause they needed a woman!
When we were doing shows in the mid-'90s, the audiences were 95% black. What's happened now is the gentrification of hip-hop. A lot of cities passed ordinances that made it hard for black audiences to gather in large groups. Clubs are more open to hip-hop now 'cause it's the same crowd that goes to rock shows.
I'll tell you, girl fans were actually pushier than the guys. The guys got scared, because when the five of us were together, we were out of control. If I were in the room with the five of us, I'd leave. It's like a five-headed monster.
The arts were a big part of my childhood. We went to the theatre and opera a lot as a family. We were not at all wealthy, but it was at a time when the arts were publicly funded and there were free tickets available. For someone like myself who wasn't that academically inclined, it was a great escape.
Hip-hop was born of people who did not have a voice. They were not heard. And those people exist and are a part of a framework of life... as long as that's true, people will gravitate to hip-hop.
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