A Quote by Jaya Bachchan
I'm fortunate to have a home in both Mumbai and Delhi, and to be a part of cinema and the political world. Both are different and engaging.
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I was born in Faridabad but brought up in Delhi and Mumbai. My father had been living hand-to-mouth and literally slept on railway platforms when he came to Mumbai for the first time to become a film singer. My parents were both singers; they sang together and fell in love due to their singing.
Part of what you need to understand is that we're forced to look back. You had the importation of third world or developing world conditions into the United States because of a bipartisan elite consensus for neo-liberalism. In other words, you had both political parties, the smarty-pants in both political parties said, hey, let's do these crazy trade deals.
Relations between India and America should not be seen within the limits of just Delhi and Washington. It's a much larger sphere. The good thing is that the mood of both Delhi and Washington is in harmony with this understanding. Both sides have played a role in this.
I was born in Faridabad and I spent a major part of my growing up years in Delhi before shifting to Mumbai. Delhi-NCR is still very special to me.
Everybody in the two Telugu states, especially the residents of Vijayawada, love both cinema and politics. And 'NOTA' is a cinema with a political subject.
Thus far, both political parties have been remarkably clever and effective in concealing this new reality. In fact, the two parties have formed an innovative kind of cartel—an arrangement I have termed America’s political duopoly. Both parties lie about the fact that they have each sold out to the financial sector and the wealthy. So far both have largely gotten away with the lie, helped in part by the enormous amount of money now spent on deceptive, manipulative political advertising.
Both art and science are bent on the understanding of the forces that shape existence, and both call for a dedication to what is. Neither of them can tolerate capricious subjectivity because both are subject to their criteria of truth. Both require precision, order, and discipline because no comprehensible statement can be made without these. Both accept the sensory world as what the Middle Ages called signatura regrum, the signature of things, but in quite different ways.
There are two distinctly, almost surreally different narratives in Israel and Palestine... and to a great extent, both are right and both are wrong. Both peoples have suffered greatly and both have legitimate grievances against the other.
The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn't.
Humans don't exist on the same level as immortals. They can't even be hurt by our weapons. But you,Percy - you are part god,part human.You live in both worlds.You can be harmed by both,and you can affect both. That's what makes heroes so special.
My favorite part about modeling is probably my least favorite part as well. It's traveling. Because it goes both ways. It's so amazing to get to see the world; we're so fortunate to go to all these places that I would never be in unless I was a model.
You have to do your homework for everything. For 'Fukrey,' it seems like I'm just playing a Delhi boy. But he is a Delhi boy from Geeta Colony, which is a different world when it comes to Delhi.
Both grandfathers fought in different wars. My mother's father fought in World War II, and then my father's father fought in Korea. And they're both these country boys, one from rural Tennessee and one from rural Louisiana - and they never went back home.
Cinema gives you the opportunity to be both a grandparent and a grandchild whereas in life you cannot be both at the same time.
Make no mistake: The organization of the working class must be both economic and political. The capitalist is organized upon both lines. You must attack him on both.
We've both with Justine Beck done other things - and do other things - outside of Glassjaw. But Glassjaw's the most shining professional thing I've been part of. And the fact it's happening on the scale is both an honor and it's funny. Its hysterical. It's a fun ride. The whole world's different.
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