A Quote by Jaya Prada
The main advantage Sridevi and I had was that we acted in films which were South remakes. What we had done in the South, we did the same in Hindi.
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I will not leave my South films for a Hindi film. I want to be sincere to my South film makers and commitments. Only if my dates are not clashing with any of my South films will I do Hindi films.
Initially, I did South Indian films because I needed the money; I had a huge student loan that I had to pay off. But I do feel that Marathi, English, and Hindi are what I'm more comfortable with.
When I turned 20 I signed my south film and by the time I was 23, I had done three south films.
South Korea from a country that had relatively little primary education became close to universal literacy in the course of 25, 30 years, in a way trying to replicate what Japan had done earlier. They were learning to some extent from the Japanese experience too. So I think, in a sense, the East Asians were following a path, which all other countries including South Asia could follow but chose not too.
Coming from the South and growing up in L.A. where it was so segregated - worse than the South in many ways - all the people in my neighborhood were from the South. So you had that Southern cultured environment. The church was very important. And there were these folk ways that were there. I was always fascinated by these Southern stories, people would share these mystified experiences of the South. I wanted to talk about folklore.
When I did my first Hindi film, 'Sargam,' I had to play a dumb girl. Critics went to town saying that since I was a south Indian and didn't know how to speak Hindi, producers of the movie decided to make me play dumb.
I was offered my first film right after my 10th board exams. Back then, I didn't even know they made films in the South. Films, I thought, were either in Hindi or English.
If you're black, you were born in jail, in the North as well as the South. Stop talking about the South. Long as you south of the Canadian border, you're south.
When I was 19, 20 I faced rejections. When I turned 20 I signed my south film and by the time I was 23, I had done three south films. I would go to different production houses everyday for auditions and they would reject me saying you cant talk, smile, dance or act.
Wanted' and 'Rowdy Rathore', which I directed in Hindi, were remakes of Telugu hits. Telugu films have contributed to my growth in a big way.
We were land-based agrarian people from Africa. We were uprooted from Africa, and we spent 200 years developing our culture as black Americans. And then we left the South. We uprooted ourselves and attempted to transplant this culture to the pavements of the industrialized North. And it was a transplant that did not take. I think if we had stayed in the South, we would have been a stronger people. And because the connection between the South of the 20's, 30's and 40's has been broken, it's very difficult to understand who we are.
I quit south Indian films because I was bored. The fans in south India were also quite demanding.
Most of us who were opposed to the war, especially in the early '60's - the war we were opposed to was the war on South Vietnam which destroyed South Vietnam's rural society. The South was devastated. But now anyone who opposed this atrocity is regarded as having defended North Vietnam. And that's part of the effort to present the war as if it were a war between South Vietnam and North Vietnam with the United States helping the South. Of course it's fabrication. But it's "official truth" now.
My brother and I were brought up sort of thinking that we were English. I remember hearing the poet Roy Campbell on the radio and being quite shocked that he had a South African accent. I didn't know there were any South African poets.
When I was in government, the South African economy was growing at 4.5% - 5%. But then came the global financial crisis of 2008/2009, and so the global economy shrunk. That hit South Africa very hard, because then the export markets shrunk, and that includes China, which has become one of the main trade partners with South Africa. Also, the slowdown in the Chinese economy affected South Africa. The result was that during that whole period, South Africa lost something like a million jobs because of external factors.
For 'Dum Maro Dum,' I had a diction tutor, as I had to get rid of my Hyderabadi Hindi and learn Goan Hindi. It wasn't easy, because these two kinds of Hindi were mutually incompatible. I had to unlearn one kind of Hindi and then learn a new kind.
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