A Quote by Jayne Ann Krentz
I am often asked why I use a variety of pen names. The answer is that this way readers always know which of my three worlds they will be entering when they pick up one of my books.
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In this box are all the words I know… Most of them you will never need, some you will use constantly, but with them you may ask all the questions which have never been answered and answer all the questions which have never been asked. All the great books of the past and all the ones yet to come are made with these words. With them there is no obstacle you cannot overcome. All you must learn to do is use them well and in the right places.
What is bad? What is good? What should one love, what hate? Why live, and what am I? What is lie,what is death? What power rules over everything?" he asked himself. And there was no answer to any of these questions except one, which was not logical and was not at all an answer to these questions. This answer was: "You will die--and everything will end. You will die and learn everything--or stop asking.
Never in his life had occasion to ask himself, "Why are things the way they are?" Why should he bother, when the way they were was always perfect? Why are things the way they are? The question to which there is no answer, and up till then he was so blessed he didn't even know the question existed.
Names are hard. I have a library of What to Name Your Baby books, and I’m always picking up new books, and books of baby names from other countries. I like cool-sounding names.
One of the questions I often get asked is, "Were you surprised that Trump won?" I always answer the same way: "I was surprised, I am surprised and I will never stop being surprised."
I am often asked which of my films has come closest to my own ideal of performance, and I always answer, 'Educating Rita.'
My books flow. People say they pick them up and they can't put them down. It's because when I'm writing them I pick my pen up and I cannot put my pen down.
Readers, on the other hand, have at least 7.5 books going all the time. Actually, the number of books a reader takes on is usually directly related to the number of bathrooms he has in his home and office. I am working on a survey that will show that, over a lifetime, readers are in bathrooms seven years and three months longer than nonreaders.
Those who are concerned with the arts are often asked questions, not always sympathetic ones, about the use or value of what they are doing. It is probably impossible to answer such questions directly, or at any rate to answer the people who ask them.
The Hasidic rabbi, Zuscha, was asked on his deathbed what he thought the kingdom of God would be like. He replied, "I don't know. But one thing I do know. When I get there I am not going to be asked, 'Why weren't you Moses? Why weren't you David?' I am only going to be asked, 'Why weren't you Zuscha? Why weren't you fully you?'"
After sleeping through a hundred million centuries we have finally opened our eyes on a sumptuous planet, sparkling with color, bountiful with life. Within decades we must close our eyes again. Isn’t it a noble, an enlightened way of spending our brief time in the sun, to work at understanding the universe and how we have come to wake up in it? This is how I answer when I am asked—as I am surprisingly often—why I bother to get up in the mornings.
From whence it happens, that they which trust to books, do as they that cast up many little sums into a greater, without considering whether those little sums were rightly cast up or not; and at last finding the error visible, and not mistrusting their first grounds, know not which way to clear themselves; but spend time in fluttering over their books, as birds that entering by the chimney, and finding themselves enclosed in a chamber, flutter at the false light of a glass window, for want of wit to consider which way they came in.
I am often asked what the future holds for Emotion AI, and my answer is simple: it will be ubiquitous, engrained in the technologies we use every day, running in the background, making our tech interactions more personalized, relevant, authentic and interactive.
Women often don't want to admit that they like fashion. And yet fashion enthralls everyone, from the taxi driver to the mega-intellectual. I have often asked myself why this is. I don't know the answer.
Music is the best way I can express myself, meaning that why I write and how I came to love music comes out through Xzibit. Who I am, who Alvin Joiner is, comes out when I pick up that pen and write.
That's always been like a fascination to me - watching my family, three sisters and a brother and all growing up basically in the same situation and each one being so totally different and going on to completely different areas and directions. But for me to go into psychoanalysis really steadily, would be putting too much energy into trying to figure out why I am the way I am... Basically this is how I am and it's alright and I don't want to know why I'm this way.
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