A Quote by Jayne Ann Krentz

I read what I like to write: romantic suspense. I also love thrillers and novels of suspense, but I can't handle extreme violence and torture. — © Jayne Ann Krentz
I read what I like to write: romantic suspense. I also love thrillers and novels of suspense, but I can't handle extreme violence and torture.
I write what I want to write. Period. I don't write novels-for-hire using media tie-in characters, I don't write suspense novels or thrillers. I write horror. And if no one wants to buy my books, I'll just keep writing them until they do sell--and get a job at Taco Bell in the meantime.
I still read romance, and I read suspense. I read them both. And part of it is, I like stories with strong characters, and I like stories where there's closure at the end. And I like stories where there's hope. That's a kind of empowerment. I think romance novels are very empowering, and I think suspense novels are, too.
I like the idea of building the suspense and taking it all the way up to the very last second with the suspense, and right when you think you can't take it anymore, then you come in with the joke and kind of break the tension. To me, that's the best kind of film. I like thrillers, so thrillers with comedy, to me, is always the best.
Before I became a suspense novelist, I wrote romantic suspense as Alicia Scott.
I challenged myself to write/direct a romantic comedy. People trash talk the rom com, but it's one of the oldest cinematic genres, with stellar origins like Twentieth Century and Trouble in Paradise. I think as audiences lost their innocence, the genre lost its suspense. To create suspense, you need obstacles, so I gave my couple an obstacle that very few people ever overcome: their own behavior and their past.
I keep thinking I'll enjoy suspense novels, and sometimes I do. I've read about 20 Dick Francis novels.
One of my favorite authors to read is Eric Ambler, who helped pioneer the form of realistic suspense novels.
I think of my books now as suspense novels, usually with a love story incorporated. They're absolutely a lot harder to write than romances. They take more plotting and real character development.
Suspense is very important. Even though this is humor and they're short stories, that theory of building suspense is still there.
I prefer thrillers but when its thriller/horror, I like it. The gore is not very important to me, I prefer suspense. But I like dark films.
I prefer thrillers but when it's thriller/horror, I like it. The gore is not very important to me, I prefer suspense. But I like dark films.
Suspense is torture ... but delightful--or there'd be no gambling in the world.
40 Words for Sorrow is brilliant-one of the finest crime novels I've ever read. Giles Blunt writes with uncommon grace, style and compassion and he plots like a demon. This book has it all-unforgettable characters, beautiful language, throat-constricting suspense.
Gore, like blood and guts and stuff, I am fine. Suspense, I get super sensitive. I can't handle it.
I can't wait for everyone to read 'Don't Look Back.' It's something very different for me, my first romantic suspense novel, so I'm very excited to be sharing the book, finally.
Suspense-is Hostiler than Death-Death- tho soever Broad, Is just Death, and cannot increase- Suspense-does not conclude-.
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