A Quote by Jayne Ann Krentz
The negative attitudes toward the genres - romance, science-fiction, westerns, suspense, etc. - are fallout from the academic world's long-standing fascination with existential philosophy and modern theories of psychology and sociology.
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If you talk about genres - I don't care if you're talking about war, Westerns, science fiction, horror, fantasy, humor, romance - anything you can find, strolling the aisles of a Borders or a Barnes & Noble, I can bring you many comic books representing each genre.
It's not just what Christian fiction lacks I appreciate - it's what it offers. The variety is vast: contemporary, historical, suspense, mysteries, adventure, young adult, romance, fantasy, science fiction.
In a single lifetime, roughly from 1865 to 1930, one finds the pioneering and patterning works of modern fantasy, science fiction, children's literature and detective fiction, of modern adventure, mystery and romance.
I never think about genre when I work. I've written fantasy, science fiction, supernatural fiction, and am now working on a suspense novel. Genres are mostly useful as a marketing tool, and to help booksellers known where to shelve a book.
All around us, aspects of the modern world - diet, exercise, medicine, art, work, family, philosophy, economics, ecology, psychology - have begun a long circle back toward their former coherence. Whether they can arrive before the natural world is damaged beyond repair and madness destroys humanity, we cannot tell.
Epic science fiction game, that's always been on my mind. Post-apocalyptic, 'Fallout,' was our first choice. Sci-fi was our second at the time, when we got the 'Fallout' license. We were going to do our own post-apocalyptic universe if we didn't get 'Fallout.'
I think one of the things that language poets are very involved with is getting away from conventional ideas of beauty, because those ideas contain a certain attitude toward women, certain attitudes toward sex, certain attitudes toward race, etc.
If I would had been born years earlier, I would have been in all the Westerns. It's just the way that the industry goes. But now, we are in an age of a lot of different kinds of fears, and you have the science fiction and horror genres doing our morality plays the same way that they would have done in Westerns. I absolutely accept it. In every respect, fantasy is like doing abstract paintings.
If I am not mistaken, psychology, psychiatry and some branches of sociology, not to speak about the so-called philosophy of history, are even more affected by what I have called the scientistic prejudice, and by specious claims of what science can achieve.
One of the biggest roles of science fiction is to prepare people to accept the future without pain and to encourage a flexibility of the mind. Politicians should read science fiction, not westerns and detective stories.
Don't ever for a minute make the mistake of looking down your nose at westerns. They're art - the good ones, I mean. They deal in life and sudden death and primitive struggle, and with the basic emotions - love, hate, and anger - thrown in. We'll have westerns films as long as the cameras keep turning. The fascination that the Old West has will never die. And as long as people want to pay money to see me act, I'll keep on making westerns until the day I die.
Horror is one of the few genres - romance and comedy are the other two that come to mind - that's all emotion-driven. It's not a rational genre, like science fiction is. It's irrational by nature. And it is capable of exploring all aspects of human experience.
I'm not a sociologist, and the novel has often concerned itself with sociology. It's one of the generating forces that's made fiction interesting to people. But that's not my concern. I'm interested in psychology. And also certain philosophical questions about the world.
What keeps me up at night in a negative way is, if we don't solve the problems of the human heart and of the human head, of human psychology, there is no technological solution so great that it can prevent the world that is coming, and a world of suitcase bombs or of the ability to pollute the planet in a way that it cannot recover, of global warming and the rest. We've created through science and technology a different world that has frightening sides to it, and psychology and behavioral science has to be part of this. We're going to have to find a way to humanize the culture itself.
In 1946, I re-enrolled at the University of Budapest in order to obtain a Ph.D. in philosophy with minors in sociology and in psychology.
Before I became a film major, I was very heavily into social science, I had done a lot of sociology, anthropology, and I was playing in what I call social psychology, which is sort of an offshoot of anthropology/sociology - looking at a culture as a living organism, why it does what it does.
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