A Quote by Jazz Jennings

If someone is judging you without knowing the content of your character, don't listen to them. — © Jazz Jennings
If someone is judging you without knowing the content of your character, don't listen to them.
Your friends will need you, too, someday. Maybe not in the same way, maybe not in cash and shelter, but they'll need you - to listen without judging, to invite them over when they're lonely, to show up for their events, to register in whatever way matters to them that they matter to you. Be on the lookout for these opportunities to give back, and do whatever is in your power not to miss many of them.
Watch how your mind judges. Judgment comes, in part, out of your own fear. You judge other people because you're not comfortable in your own being. By judging, you find out where you stand in relation to other people. The judging mind is very divisive. It separates. Separation closes your heart. If you close your heart to someone, you are perpetuating your suffering and theirs. Shifting out of judgment means learning to appreciate your predicament and their predicament with an open heart instead of judging. Then you can allow yourself and others to just be, without separation.
People in grief need someone to walk with them without judging them.
This is what I would say to my pupil: 'You have become only your fame and left behind most of who you were. How are you going to deal with that? Will you lose that person forever? Have you become someone else without really knowing it? Do you always have to stay in character for people to like you? Do you know that you are in character?'.
I can't really write anything without knowing the ending. I don't know how people do that. Even with my superhero stuff, I have to know at least where I want to take the characters and what the ending of my story with them will be. I just can't structure stories or character arcs and stuff without knowing the endpoint.
Playwriting is all about empathy, getting inside the head of someone who is not you, to think like they think without judging them.
How much further can your head get up your ass that you're actually judging someone as a person based on their sexuality before you even have a conversation with them?
My preparation is mainly just knowing the lines and getting in and knowing where your character is, knowing what it's about and having ideas that you can put in on the day.
Pigmentation was a quick and convenient way of judging a person. One of us, Dr. Martin Luther King, Jr., once proposed we instead judge people by the content of their character. He was shot.
My actress friends would tell me their horror stories, or say they couldn't get work, and were deemed too old, even though they were established and talented and fit and gorgeous. It was frustrating for them and it was frustrating to hear. Maybe because I was the same age as them and it was already hard enough trying to cross over to the 40s without someone judging your every move.
It's all about knowing when to listen to that conversation and - without sounding really hokey - when to tune it out and follow your heart.
My No. 1 piece of advice, especially for someone who's an actor-singer-dancer - a triple threat, they're called! - people say, 'What's the most important?' I always say acting. Without knowing why you're singing or what you're singing about, it's just noise. And without knowing why you're moving your body, it's just flailing of arms.
I appreciate when people listen to the sad songs, because it's almost like telling someone your problems and having them listen with a compassionate ear.
I can't go anywhere without someone judging me.
I never actually do rehearsals. That's one of the reasons that I write those bios and if I can meet with the actors I'll meet them or talk to them on the phone. What I want is for them to come on set knowing their lines and knowing who the character is.
The lessons you are meant to learn are in your work. To see them, you need only look at the work clearly - without judgment, without need or fear, without wishes or hopes. Without emotional expectations. Ask your work what it needs, not what you need. Then set aside your fears and listen, the way a good parent listens to a child
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