A Quote by Jean-Baptiste Camille Corot

You know, a landscape painter's day is delightful. You get up early, at three o'clock in the morning, before sunrise; you go and sit under a tree; you watch and wait. At first there is nothing much to be seen. Nature looks like a whitish canvas with a few broad outlines faintly sketched in; all is misty, everything quivers in the cool dawn breeze. The sky lights up. The sun has not yet burst through the gauze veil that hides the meadow, the little valley, the hill on the horizon... Ah, a first ray of sunshine!
The world...is full of resurrections... Every night that folds us up in darkness is a death; and those of you that have been out early, and have seen the first of the dawn, will know it - the day rises out of the night like a being that has burst its tomb and escaped into life.
I'm always up early. I have so much to do, it's unbelievable how much I have to do in a day. So I have to get at 7 o'clock every morning, and I go to bed at midnight. You know, and I'm just going that whole time.
I gotta go through, like, a little routine when I wake up in the morning to get everything functioning and ready to go. But, the only thing is everything just goes back to gridlock so fast once I sit down, 'cause you know you go to work again.
I have seen the sun with a little ray of distant light challenge all the powers of darkness, and without violence and noise, climbing up the hill, hath made night so retire that its memory was lost in the joys and sprightliness of the morning.
The night before games, I try to get some shots up. Early on the game day, I come early in the morning to try to get some shots up. I just try to do the same things: go through the scouting, watch some clips before the game, just try to get my body ready.
I get up early in the morning, 4 o'clock, and I sit at my desk and what I do is just dream. After three or four hours, that's enough. In the afternoon, I run.
Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern.
It was a morning when all nature shouted Fore! The breeze, as it blew gently up from the valley, seemed to bring a message of hope and cheer, whispering of chip shots holed and brassies landing squarely on the meat. The fairway, as yet unscarred by the irons of a hundred dubs, smiled greenly up at the azure sky.
I know there are writers who get up every morning and sit by their typewriter or word processor or pad of paper and wait to write. I don't function that way. I go through a long period of gestation before I'm even ready to write.
It was like noticing the sun. You couldn't help but see it, to turn to face the heat of it, to bask in the glory of it. But often when the sun is high in the sky, the moon is up there, too. A dim memory of what she will be in the night, but there, nonetheless, dim and misty, hard and white. At night, there is only the moon, the sun is nowhere to be seen. There are no distractions when the moon rules the sky.
People are much like those stars up there. Some burn faintly for millions of years, barely visible to us on earth. They're there, but you'd hardly know it. They blend in, like a speck on a canvas. But others blaze with such intensity, they light up the sky. You can't help but notice them, marvel at them. Those are the ones that never last long. They can't. They use up all their energy quickly
I certainly don't sit down and plan a book out before I write it. There's a phrase I use called "The Valley Full of Clouds." Writing a novel is as if you are going off on a journey across a valley. The valley is full of mist, but you can see the top of a tree here and the top of another tree over there. And with any luck you can see the other side of the valley. But you cannot see down into the mist. Nevertheless, you head for the first tree.
Most people dream a dream when they are asleep. But to be a writer, you have to dream while you are awake, intentionally. So I get up early in the morning, 4 o'clock, and I sit at my desk and what I do is just dream. After three or four hours, that's enough. In the afternoon, I run. The next day, the dream will continue.
I get up in the morning and do a seven-minute yoga workout. I know the most likely time I'm going to do something is when I first get up, and I make it short because, like you, I don't really want to do that first thing in the morning.
That morning I was not yet a vampire, and I saw my last sunrise. I remember it completely, and yet I can't recall any sunrise before it. I watched the whole magnificence of the dawn for the last time as if it were the first. And then I said farewell to sunlight, and set out to become what I became.
There's nothing like sitting in a completely quiet room, and then the strings start up. It's like when you go to the cinema - the first two or three minutes of any film are amazing. Because the screen is so big. The scale. Directors can pretty much do anything for those first few minutes.
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