A Quote by Jean Baudrillard
But what if God himself can be simulated, that is to say can be reduced to signs that constitute faith? Then the whole system becomes weightless, it is no longer anything but a gigantic simulacrum - not unreal, but simulacrum, that is to say never exchanged for the real, but exchanged for itself, in an uninterrupted circuit without reference or circumference.
Related Quotes
The simulacrum is never that which conceals the truth--it is the truth which conceals that there is none. The simulacrum is true.
Life itself is but the shadow of death, and souls departed but the shadows of the living: All things fall under this name. The Sun itself is but the dark simulacrum, and the light but the shadow of God.
Literature itself is a species of code. You line up symbols and create a simulacrum of life.
It's enough to have faith in one aspect of God. You have faith in God without form. That is very good. But never get into your head that your faith alone is true and every other is false. Know for certain that God without form is real and that God with form is also real. Then hold fast to whichever faith appeals to you.
The world has no circumference. It would certainly have a circumference if it had a centre, in which case it would contain within itself its own beginning and end; and that would mean that there was some other thing which imposed a limit to the world - another being existing in space outside the world. All of these conclusions are false. Since, then, the world cannot be enclosed within a material circumference and centre, it is unintelligible without God as its centre and circumference.
The Son of God, prompted by the same infinite love, laid aside his divine glory and mode of existence, emptied himself exchanged the form of God for the form of a servant, humbled himself and became obedient, even unto the death of the cross.
We turned on one another deep, drowned gazes, and exchanged a kiss that reduced my bones to rubber and my brain to gruel.
I've never been that person to fake it, and say what everyone else wants you to say. Then you never have anything personal. If I wanted to be an actress all the time, I could do that. But I don't. I want to be real. I want to be a real person. That's what an artist is. An artist has to be honest. Without honesty, there's nothing.
Sure, we were friends who exchanged soulful glances, friends who slept in a bed filled with sexual tension, friends who found any excuse to touch, but I worried that we'd never take that perilous leap of faith toward becoming a real couple, a permanent team.
Can the vast technology beneath our gaze be anything but a representation? Any optical artifact... The city panorama is a theoretical (ie visual) simulacrum: in short, a picture, of which the preconditions for feasibility are forgetfulness and a misunderstanding of processes.
It is as to whether its services or uses are to be exchanged or not which makes a tool an article of capital or merely an article of wealth. Thus, the lathe of a manufacturer used in making things which are to be exchanged is capital, while the lathe kept by a gentleman for his own amusement is not.
A Rook is of the value of five Pawns and a fraction, and may be exchanged for a minor Piece and two Pawns. Two Rooks may be exchanged for three minor Pieces.
I seem to be inside a kind of artificial environment. Almost like a... a simulacrum of Reiden Lake.
The ladies here probably exchanged looks which meant, 'Men never know when things are dirty or not;' and the gentlemen perhaps thought each to himself, 'Women will have their little nonsense and needless cares.'
There are moments in life when it is all turned inside out--what is real becomes unreal, what is unreal becomes tangible, and all your levelheaded efforts to keep a tight ontological control are rendered silly and indulgent.
The panorama-city is a 'theoretical' (that is, visual) simulacrum, in short a picture, whose condition of possibility is an oblivion and a misunderstanding of practices.
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