A Quote by Jean-Charles de Castelbajac

To project your idea, you have to use new technology. It's not like the '70s or the '80s; you have an image that you project globally. — © Jean-Charles de Castelbajac
To project your idea, you have to use new technology. It's not like the '70s or the '80s; you have an image that you project globally.
I'm strictly a one-project-at-a-time kind of guy. If I came up with a compelling idea for a different book while working on a project, I'd probably abandon the first project and go with the new idea.
It depends on the project, what's happening that day on the project, at what stage were in on the project; it various from project to project and where we're needed.
I never had a lot of ideas. I always have exactly one that is the next project; the idea of a project beyond that project is ludicrous.
When we consider a project, we really study it-not just the surface idea, but everything about it. And when we go into that new project, we believe in it all the way. We have confidence in our ability to do it right. And we work hard to do the best possible job.
When the government undertakes or approves a major project such as a dam or highway project, it must make sure the project's impacts, environmental and otherwise, are considered. In many cases, NEPA gives the public its only opportunity to be heard about the project's impact on their community.
I approach each project with a new insecurity, almost like the first project I ever did, and I get the sweats, I go in and start working, I'm not sure where I'm going.
For me, every day is a new thing. I approach each project with a new insecurity, almost like the first project I ever did. And I get the sweats. I go in and start working, I'm not sure where I'm going. If I knew where I was going I wouldn't do it.
In 1982 I bought the newly released Makina Plaubel 55mm fixed-lens camera. With this shift from 35mm to 6 x 7, I also changed from black and white to color. Later that year, I started my project on New Brighton called The Last Resort. However, the first project I shot in colour was composed of urban scenes from Liverpool. This image was on the second roll of film. It's the first good photo I made in this new chapter of my work.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
We all know a mirror reflects us, if you look in it. If you move, the reflection moves. If you project from a mirror, meaning it will project an image, it's nothing to do with you. The world seen by nobody.
I've been really lucky that I've kind of gotten to flow from project to project, because I find it's very important that when you're on a project, you are so invested in it.
People hold an image of you and project that image when they feel you are changing. Disappear for a while. Break up your routines.
I had a project called 'Cover Art,' which was the first project I did under the new name Anderson .Paak. I went through this process where I was recording new music for about six months straight.
The primary purpose of software estimation is not to predict a project's outcome; it is to determine whether a project's targets are realistic enough to allow the project to be controlled to meet them.
I often put any project I write in a different decade just to roll the thought around in my head. There's a thriller I've written that I think would be nice to set in the '70s or '80s, just to take cell phones away from the movie. There's nothing like the piercing ring of an old-school telephone to really scare an audience.
Every new writing project, every new artistic project, needs to be protected so it can grow on its own before it begins to creep out into the world.
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