A Quote by Jean-Claude Van Damme

I really am a guy who can be black and white. I don't understand, too much, the gray. And truly I can go from one type of character to another type of character. — © Jean-Claude Van Damme
I really am a guy who can be black and white. I don't understand, too much, the gray. And truly I can go from one type of character to another type of character.
I'm drawn to the classic antihero, the guy who's probably made a bunch of mistakes and really has the capacity to go either way. That's the most interesting type of character for me to watch, to see what decisions they'll make. There's a lot of gray area there for a writer to explore.
A woman can be demure, lady-like and the most prim and proper character, and still have a toughness and resiliency as apparent as a superhero-type female character or a warrior or soldier type. It's all about the story, the character, and the course of events in that piece of work and how that character is presented.
You want to play as much as possible, but I am not the type of character to go bursting walls down.
I'm trying to break the stereotypical role now of the Theo-type character because, in my post-'Cosby' life, as I call it, I don't want to be known as just the kind of guy who can play a Theo Huxtable-type character. I want to be known as being able to do more things, being able to stretch.
I started right off with this character-type guy and blowing fire from the get-go.
With the type of actor I am, which includes really diving into a role and making it as real as possible, there's nothing better than working in a real environment on location. It forces you to feel what the character's feeling, and it allows you to live in the space of the character.
I've gone for each type: the rough guy; the nerdy, sweet, lovable guy; and the slick guy. I don't really have a type. Men in general are a good thing.
Ray Toro is a very eccentric, crazy genius type guy. I think he's a genius. He just got this thing at the VMA. The way he played, it makes you go 'Jesus!' He's really sweet, really kind of lovable. He's like a cartoon character.
I've played a different type of character in a different type of thing, for the most part. It's not like you can't mine tons of fascinating stuff from any character that you play, and I've always been fascinated with women and relationships, but this has been a completely different experience, for sure.
What I've learned in my life, it's a very interesting social study for me, to go back and forth between being the guy at home and being the guy on the road and being the guy in studio and being the guy in the interview. The environment around you has so much to do with your character, and when I'm home, my character really changes quite a bit.
As a feminist, just to speak to what women go through, I think women are put in a box way too often. What I love about 'You're the Worst' is that no female character is portrayed as a black-and-white cartoon character. We're all complicated, messy human beings.
Hollywood constantly wants to label you and type you into a certain category, 'Oh he's a comedy guy,' or the weirdo character guy or the villain.
I'm not really a big walk-around-the-city type of guy. I'm a hotel type of guy.
I'm not the type of guy to go out and just say, 'Hey, I'm raising my fist to do this and do that.' I don't think I'm that type of guy. I wasn't a leader the way other people may have wanted me to be.
I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.
A black character is much more than just a black character; he's a character, period. So show the world as it is. Even with all your artistic license, you make a political choice.
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