A Quote by Jean-Claude Van Damme
Showing myself nude from behind doesn't pose any problems, but from the front that's another story. I don't want to lose all my fans!
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You have to be luxurious nude. It's difficult to move in the nude in front of a mirror. It's much easier to move when you're dressed. But if you can walk around in the nude easily in front of your man, if you can be luxurious in the nude, then you've really got it.
I never did a nude shoot, I always kept myself limited to bikini shoots. This, however, does not mean that I look down on individuals who pose nude for shoots.
I’ve never seen an exploding helicopter. I’ve never seen anybody go and blow somebody’s head off. So why should I make films about them? But I have seen people destroy themselves in the smallest way, I’ve seen people withdraw, I’ve seen people hide behind political ideas, behind dope, behind the sexual revolution, behind fascism, behind hypocrisy, and I’ve myself done all these things. So I can understand them. What we are saying is so gentle. It’s gentleness. We have problems, terrible problems, but our problems are human problems.
I'm not interested in doing the same kind of picture over and over again. I pose problems for myself. Sometimes they are aesthetic problems and sometimes they are logistical problems.
I want to let you in on a little secret. There are no problems. There are no problems. There never were any problems, there are no problems today, and there will never be any problems. Problems just mean that the world isn't turning the way you want it to. But in truth, there are no problems. Everything is unfolding as it should. Everything is right. You have to forget about yourself and expand your consciousness until you become the whole universe. The Reality in back of the universe is Pure Awareness. It has no problems. And you are That.
Any nude is a something you setup in front of the camera.
From my sketch files I'll find a pose that shows the emotion behind a particular character's story.
I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
People don't want to see me having a bad morning. They have job problems, financial problems, family pressures, kids to get off to school. The last thing they want to wake up to is someone showing them the same problems. So maybe that's the one time I am forced to act.
I'm so blessed to have gone to Wisconsin. It's a great school and great coaching staff with incredible fans. I had a lot of great teammates that wanted to be successful. I played behind a huge offensive line. I think that proved a lot, too, as a 5-11 quarterback showing I could play under center with those guys in front of me.
I want to be real. I don't want to pose as anything. I don't want to pose as a tough guy. I don't want to pose as a nice guy.
There are few women in America that don't want to lose 5 pounds, but I refuse to let that thought dominate my life. And there are too many other real problems in the world - real obesity problems and real hunger problems - to worry that much about a few pounds that I'd like to lose.
I like being outdoors. I like to go cavorting in the nude in the forests. It is just another world. To take sunbaths in the nude.
The stories just keep showing up in my head - and I really hope they keep it up! I write what I'm told, and as long as I do that, I don't have any problems with writer's block or anything. The issues come only when I try to force the story or the people in it to do things they don't want to. As a control freak, it's funny that I've learned to be so comfortable with being out of control in what is arguably one of the most important areas of my life!
What should be driving the conversation is: What's the story? What's the movie about? Is it a compelling story? And if it is, then you make it regardless of the color of the people behind or in front of the camera.
Behind the corpse in the reservoir, behind the ghost on the links, Behind the lady who dances and the man who madly drinks, Under the look of fatigue, the attack of migraine and the sigh There is always another story, there is more than meets the eye.
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