A Quote by Jean-Claude Van Damme

When you finish a film, if you believed in your character, you're empty. — © Jean-Claude Van Damme
When you finish a film, if you believed in your character, you're empty.
There is a sense of emptiness when you finish any film because you're empty and you can't give anything more to it anymore.
I wanted to make a fan film for a character I've always loved and believed in - a love letter to Frank Castle & his fans. It was an incredible experience with everyone on the project throwing in their time just for the fun of it. It's been a blast to be a part of from start to finish - we hope the friends of Frank enjoy watching it as much as we did making it.
I don't shoot two films at the same time. I finish one character and get into another character because I change my look for every film. It's difficult, but I enjoy doing that.
If you give an answer to your viewer, your film will simply finish in the movie theatre. But when you pose questions, your film actually begins after people watch it. In fact, your film will continue inside the viewer.
I have always believed that the choice of your second film is as important as you first film.
For example, how you would introduce a leading character into your film, and as an absolute ingenious example, [Elia] Kazan in his film Viva Zapata!, how he introduces his leading character Marlon Brando into the film. No film ever did it as wonderful as he did it.
My job as a character actor is to make me fit the character, to serve the character. To present this human being who turns up in a piece of film or entertainment that's going, you know, exist as if it might exist after the film is finished and it existed before the film has started.
I have one secret tattoo. 'True Romance' is my favourite film of all time and in the film the two lovers get matching tattoos of a cherub holding a heart with a banner in it. They obviously get each other's name in it, but mine is empty and will stay empty.
Love makes you empty - empty of jealousy, empty of power trips, empty of anger, empty of competitiveness, empty of your ego and all its garbage. But love also makes you full of things which are unknown to you right now; it makes you full of fragrance, full of light, full of joy.
When I begin a film, I want to make a great film. Halfway through, I just hope to finish the film.
I was making a film on Muhammad Ali in 1964, and I went to Miami to film everything around the fight for the world championship with Sonny Liston. I had the good luck of flying down to Miami, and there was one empty seat, and the guy sitting next to this empty seat was Malcolm X.
I was the enemy of the major studio. I believed in one man - one film. I believed one man should make the film. And I believed the director should be that one man. One man should do it - I didn't give a damn who. I just couldn't accept art as a committee. I could only accept art as an extension of an individual.
I pretty much believe that a film is a film and when an audience watches a film, they finish it.
If you think you are a filmmaker... make a film, and then show it. You need to be able to finish what you started so it is presentable. When you screen it and see if your film has an effect on an audience, you will understand what it means to be a filmmaker.
In 'Road,' my character is linear and uni-dimensional. It was more of a reacting character. I am a foil to the other characters in the film. It is the most normal character in the most abnormal, extraordinary film.
Finish. The difference between being a writer and being a person of talent is the discipline it takes to apply the seat of your pants to the seat of your chair and finish. Don't talk about doing it. Do it. Finish.
This site uses cookies to ensure you get the best experience. More info...
Got it!