A Quote by Jean Cocteau

I know that poetry is indispensable, but to what I could not say. — © Jean Cocteau
I know that poetry is indispensable, but to what I could not say.
There is an idealism associated with poetry I would not dispel but question. It doesn't change anything except within. It shifts your insides around. Poetry is not going to reach the numbers of people by which we commonly consider a large audience. It just isn't a stadium-filler. It could still galvanize people during a crisis, but let's just say there are two points at which poetry is indispensable to people - at the point of love and the point of death. I'll second that emotion.
I don't know anything about chemistry, but I know that there's a whole world of chemistry, of professional chemists. They have their prizes, they have their publications, they have their work. Just because I don't know about it, doesn't mean that it doesn't exist. A lot of people say, "Isn't poetry in trouble today?" Or: "Nobody really reads poetry anymore." And I say, "You're crazy." There's a huge world of poetry out there. You may not know about it, but it's there.
Poetry is the most informative of all of the arts because everything comes down to poetry. No matter what it is we are describing, ultimately we use either a metaphor; or we say "that's poetry in motion." You drink a glass of wine and say, "that's poetry in a bottle." Everything is poetry, so I think we come down to emotional information. And that's what poetry conveys.
A glance at the history of European poetry is enough to inform us that rhyme itself is not indispensable. Latin poetry in the classical age had no use for it, and the kind of Latin poetry that does rhyme - as for instance the medieval Carmina Burana - tends to be somewhat crude stuff in comparison with the classical verse that doesn't.
A glance at the history of European poetry is enough to inform us that rhyme itself is not indispensable. Latin poetry in the classical age had no use for it, and the kind of Latin poetry that does rhyme - as for instance the medieval 'Carmina Burana' - tends to be somewhat crude stuff in comparison with the classical verse that doesn't.
In most of the world, poetry has such a different reputation than it does in Western culture. Poetry is a popular genre in Afghanistan. If you turned on the radio, there would be a poetry program that would be as popular as The Real Housewives. People aren't listening to poetry as if they're taking their vitamins. Instead, it's a popular vessel you can fill with anything. You could fill it with sass. You could fill it with rage. You could fill it with political statements.
Poetry is indispensable - if I only knew what for.
Eroticism is one of the basic means of self-knowledge, as indispensable as poetry.
I don't think the nature of my poetry is satirical or even ironic, I think it's essentially lyrical but again I don't know if it's my position to say what my poetry is like.
I wrote poetry for seven or eight years, maybe longer, before I could say I was a poet. If people asked, I'd say I wrote poetry; I wouldn't go further. I was in my mid- to late-thirties before I felt that I was a poet, which I think meant that I had begun to embody my poems in some way. I wasn't just a writer of them. Hard to say what, as a poet, my place in the world is. Some place probably between recognition and neglect.
Palestinian society is filled with poetry, but not experimental poetry. The Palestinian poetry that people know is not the modernist experimentations, it's certain kinds of poetry that lends itself to recitation and song and things like that.
The Divine Comedy is a political poem and when you say poetry is not about - he's always quoted out of context, that "poetry makes nothing happen," that doesn't mean you shrug your shoulders and don't try to make anything happen. And Dante felt that poetry was engaged, there was a point of view; it's not my point of view, it's orthodox medieval Christianity, and I have my troubles with that. He didn't feel that you could just rule out so important a section of life - we care about these things, and it's out of caring about them that we write poetry.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
I didn't ever consider poetry the province exclusively of English and American literature and I discovered a great amount in reading Polish poetry and other Eastern European poetry and reading Russian poetry and reading Latin American and Spanish poetry and I've always found models in those other poetries of poets who could help me on my path.
That's all there was in our house: poetry and choir rehearsal and duets and so forth; I listened to Dad and Mother discuss things about poetry and delivery and voice and diction - I don't think anyone could know how much it really means.
In general, in poetry and literature, I am among those people who believe that too much is indispensable.
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