A Quote by Jean Cocteau
There are poets and there are grownups.
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In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.
We thought we were running away from the grownups, and now we are the grownups.
Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different.
Kids are beautiful, man. And they know much more than grownups think they know. Kids are just perfect people until grownups get their hands on them.
Grownups! Everyone remembers them. How strange and even sad it is that we never became what they were: beings noble, infallible, and free. We never became them. One of the things we discover as we live is that we never become anything different from what we are. We are no less ourselves at forty than we were at four, and because of this we know grownups as Grownups only once in life: during our own childhood. We never meet them in our lives again, and we will miss them always.
Nearly all men and women are poetical, to some extent, but very few can be called poets. There are great poets, small poets, and men and women who make verses. But all are not poets, nor even good versifiers. Poetasters are plentiful, but real poets are rare. Education can not make a poet, though it may polish and develop one.
There are two classes of poets - the poets by education and practice, these we respect; and poets by nature, these we love.
As a kid, I really did want to hang out with the grownups, so it was hanging out with the hippest grownups in the world. This was the nicest bunch of people I've worked with in show business, with the exception of the people around 'A Mighty Wind.' It really was a wonderful eight years.
The phenomenon of Instagram poets - who are also, to be fair, Tumblr poets and Pinterest poets - has been one of the more surprising side-effects of the selfie age.
What if there were no grownups? Suppose the whole idea of grownups was an illusion? What if their money was really just playground marbles, their business deals no more than baseball-card trades, their wars only games of guns in the park? What if they were all still snotty-nosed kids inside their suits and dresses? Christ, that couldn't be, could it? It was too horrible to think about.
I had problems getting my words out. If people spoke directly to me, I understood what they said. But when the grownups got to yakking really fast by themselves, it just sounded like 'oi oi.' I thought grownups had a separate language. I've now figured out I was not hearing the hard consonant sounds.
Men of real talents in Arms have commonly approved themselves patrons of the liberal arts and friends to the poets, of their own as well as former times. In some instances by acting reciprocally, heroes have made poets, and poets heroes.
I do not remember where I read that there are two kinds of poets: the good poets, who at a certain point destroy their bad poems and go off to run guns in Africa, and the bad poets, who publish theirs and keep writing more until they die.
I don't really think differently of making a movie for grownups or making a movie for kids, if it's boring it's boring, so you want it to be entertaining and I think funny is funny whether it's for kids or grownups, the only real difference is language.
The category "Women Poets" is bizarre and irrelevant. It's a subcategory of Poets, but there is not a "Men Poets" category.
After all, poets shouldn't be their own interpreters and shouldn't carefully dissect their poems into everyday prose; that would mean the end of being poets. Poets send their creations into the world, it is up to the reader, the aesthetician, and the critic to determine what they wanted to say with their creations.
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