A Quote by Jean Cocteau

A picture is not a window...an abstract refers to no reality but its own. — © Jean Cocteau
A picture is not a window...an abstract refers to no reality but its own.
The rejection of all abstract formalism. Materialism reminds every science of its real source: the world men transform. No science can, whether in its history or its object, grasp its own origins within itself or constitute itself as a closed world, exhaustively defined by internal rules. Materialism refers every science and every activity to the reality they depend on, even if this dependence is masked by a great many abstract mediations: mathematics as well as logic, aesthetics as well as ethics and politics.
I am searching for abstract ways of expressing reality, abstract forms that will enlighten my own mystery.
I deal with painting as I deal with things, I paint a window just as I look out of a window. If an open window looks wrong in a picture, I draw the curtain and shut it, just as I would in my own room. In painting, as in life, you must act directly.
If you want me to explain the picture, if you put it in reality, then the mystery goes away. The situation just catches you and you think it is absurd or mysterious and you just take the picture. You dont want to see the bare reality of what happened. I took the picture as the picture, not as the realistic story of what happened.
The man who works recognizes his own product in the world that has actually been transformed by his work. He recognizes himself in it, he sees his own human reality in it he discovers and reveals to others the objective reality of his humanity of the originally abstract and purely subjective idea he has of himself
Today we cannot assume people, even all Christians, understand the Bible's implicit, underlying view of reality. We have to dig it out and show it to people, including Christians, and ask them to "see reality as this" rather than "as that" - where "that" refers to any number of unbiblical ideas about reality.
abstract art is not the creation of another reality but the true vision of reality.
What a funny thing painting is. The abstract painters always insist on their connection with the visible reality, while the so called figurative artists insist that what they really care about, is the abstract qualities of life.
Realism' has been abandoned in the search for reality: the 'principal objective' of abstract art is precisely this reality.
To an ever greater extent out experience is governed by pictures, pictures in newspapers and magazines, on television and in the cinema. Next to these pictures firsthand experience begins to retreat, to seem more and more trivial. While it once seemed that pictures had the function of interpreting reality, it now seems they have usurped it. It therefore becomes imperative to understand the picture itself, not in order to uncover a lost reality, but to determine how a picture becomes a signifying structure of its own accord.
Abstract art is only painting. And what's so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint.
Believers are often thought of as people who have some kind of private conviction or repudiation of something, whereas "the faithful" refers to a relationship, which was also incidentally the earlier sense of "faith" in premodern, preliberal Christianity. This is not to say, incidentally, that "faith" refers simply to external behavior as opposed to internal belief but that it refers to an act.
The word 'western' usually refers to movies, of course, but there is a literary tradition of the same name that pre-dates the moving picture and retains its vitality yet.
You live in an apartment in New York, and you think all the time about like, 'I don't even know who's living above me.' There are all these anonymous people in that window or that window or that window, and everybody has their own interesting life that I know nothing about.
Reality is infinitely diverse, compared with even the subtlest conclusions of abstract thought, and does not allow of clear-cut and sweeping distinctions. Reality resists classification.
The percept is the reality. It is not in propositional form. But the most immediate judgment concerning it is abstract. It is therefore essentially unlike the reality, although it must be accepted as true to that reality. Its truth consists in the fact that it is impossible to correct it, and in the fact that it only professes to consider one aspect of the percept.
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