There is a time to go ahead and a time to stay behind. There is a time to breathe easy and time to breathe hard. There is a time to be vigorous and a time to be gentle. There is a time to gather and a time to release. Can you see things as they are And let them be all on their own?
I'm one of the narrative-push people. I don't outline, I don't plan ahead. So I'm my first reader, telling myself the story as I'm going along. Since I haven't designed it ahead of time, each day I have to be sure that the footing is solid before I make the next step. I think you could be more intricate if you work it out ahead of time.
When I'm asked about my work, I try to explain that there is no mystery involved. It is work. But things happen all the time that are unexpected, uncontrolled, unexplainable, even magical. The work prepares you for that moment. Suddenly the clouds roll in and the soft light you longed for appears.
Let's see... Rihanna! Work, work, work, work, work, work; OK, what? How much work does it take to move your behind, honey? I don't understand the job situation you're going through.
I work all the time; whatever I do, I do it, and I don't necessarily look at it as work. You could say the Auschwitz project was work, or the Lowy Institute is work, or Westfield is work, or the football is work. It is life.
I try to present something that is full of time. Not timeless, but full of time. I never like a work where we try to update it, but it's still not interesting to see a work that is dated. If one is successful, then a work can be full of time. And time is very complex.
Mr. Russell is a great believer in versatility in all creative work. In any physical work he believes one can work many hours at a time, but in mental, creative work he believes one can do his best only for two hours at a time on any one subject, but he can work another two hours on another subject with equal freshness. He therefore sometimes works two hours a day on each of five different creations, and in that way can live five lives at a time.
I perform in art time and in real time, and you can't tell the difference - no one knows how to separate a real act from an art act in my work. When I lived on the street for a year, people only knew that I was homeless. They didn't know that I was an artist doing a piece. I have to use real time in my work. I do, however, have to find a subtle way of documenting real time, in order for people to have a response. That means punching into a work clock every hour in the case of one piece.
I don't plot the books out ahead of time, I don't plan them. I don't begin at the beginning and end at the end. I don't work with an outline and I don't work in a straight line.
Depending on whom you ask, time is money, time is love, time is work, time is play, time is enjoying friends, time is raising children, and time is much more. Time is what you make of it.
Organizing ahead of time makes the work more enjoyable. Chefs cut up the onions and have the ingredients lined up ahead of time and have them ready to go. When everything is organized you can clean as you go and it makes everything so much easier and fun.
I don't spend as much time drawing as I do writing and reading. That's the really work-intensive part. And by the time I have enough material, it's often way past due time to put the comic up, and I'm already behind schedule, and I have to kind of rush it.
When you're behind, you have to work harder. Women have had to work harder to get ahead, and now they are in a place where they are surpassing men.
If we finished our work, the teacher would say, 'Now don't read ahead.' But sometimes I hid the book I was reading behind my geography book and did read ahead. You can hide a lot behind a geography book.
When you are happy time appears shorter, when you are sad time appears longer. And in meditation we transcend time!
People used to have time to live and enjoy themselves, but there is no time anymore for anything but work, work, work.