A Quote by Jean Cocteau

A film is a petrified fountain of thought. — © Jean Cocteau
A film is a petrified fountain of thought.
Thought is the fountain of action, life and manifestation; make the fountain pure, and all will be pure.
I write everything with fountain pens. I don't know why. I've done it since I was bar mitzvahed. I was given a fountain pen, a Parker fountain pen, and I loved it, and I've never liked writing anything with pencils or ball-points.
I actually got really petrified by the thought of people seeing me.
'Dil Chahta Hai' was too raw. We only thought about the film. We never thought where the film was going to go. We wanted to make a film on our own terms.
Most men are petrified of standing out in any way or being thought superficial.
I saw 'The Shining' in eighth grade. I watched it on VHS at a sleepover and was petrified, totally petrified. And I didn't really start to digest the movie properly and understand it from a filmmaking perspective until I got older. But it pretty much defined what it meant to be scared of a movie for me.
I liked 'The Help,' and I love Viola Davis. But I didn't think that film was a great film; I thought that was a very uneven film. I thought the Southern women were so caricatured that it was kind of like 'Harper Valley PTA' or something like that.
Thought is the fountain of speech.
Watching Jaws just scared the living daylights out of me when I was young. I know a lot of people my age who are still petrified of sharks because of that film.
Film maker Andi Olsen has a wonderful short film called Where the Smiling Ends. She waited at the Trevi Fountain in Rome and filmed the tourists only at the moment after their photos had been snapped, the moment their smiles dissolved. It's genius and heartbreaking. I think about her film when I explore the places the strips malls meet the wild world they are eating up.
Water from the white fountain didn't taste any better than from the black fountain.
That which the fountain sends forth returns again to the fountain.
I hate movies that tell people what to think. I'm proud that Democrats thought 'Thank You For Smoking' was their film and Republicans thought it was theirs. I'm proud that pro-choice people thought 'Juno' was their film and pro-life people thought it was theirs.
If you grew up white before the civil rights movement anywhere in the South, all grown-ups lied. They'd tell you stuff like, 'Don't drink out of the colored fountain, dear, it's dirty.' In the white part of town, the white fountain was always covered with chewing gum and the marks of grubby kids' paws, and the colored fountain was always clean.
It has been petrified into a slavery of thought and sentiment, as intolerant superiority on the part of the few and an intolerable burden on the part of the many.
I always wanted to make this film or another film. I thought the worst thing you could do was to react to Slumdog's success in some way. I thought it would be really foolish.
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