A Quote by Jean Dubuffet

I have always been haunted by the feeling that the painter has much to gain from making use of the forces that tend to work against his action. — © Jean Dubuffet
I have always been haunted by the feeling that the painter has much to gain from making use of the forces that tend to work against his action.
The analytic psychotherapist thus has a threefold battle to wage -- in his own mind against the forces which seek to drag him down from the analytic level; outside the analysis, against opponents who dispute the importance he attaches to the sexual instinctual forces and hinder him from making use of them in his scientific technique; and inside the analysis, against his patients, who at first behave like opponents but later on reveal the overvaluation of sexual life which dominates them, and who try to make him captive to their socially untamed passion.
The authorization I propose would provide the flexibility to conduct ground combat operations in other more limited circumstances, such as rescue operations involving U.S. or coalition personnel or the use of special operations forces to take military action against ISIL leadership, it would also authorize the use of U.S. forces in situations where ground combat operations are not expected or intended, such as intelligence collection and sharing, missions to enable kinetic strikes or the provision of operational planning and other forms of advice and assistance to partner forces.
I do have huge pressure in terms of making my animation, because a lot of audiences and producers are expecting me to make films with a lot of action. They all know that I'm very good at action scenes, but I tend to not use many, so they're all frustrated with me. But I do that intentionally. Yes, if I do a movie with a bunch of action, it's going to be a lot more successful than the types of movies I'm making right now. The producers often say, "Instead of using all these philosophical phrases, why don't you change this into an action scene?" But I intend to continue to make these movies.
We are born haunted, he said, his voice weak, but still clear. Haunted by our fathers and mothers and daughters, and by people we don't remember. We are haunted by otherness, by the path not taken, by the life unlived. We are haunted by the changing winds and the ebbing tides of history. And even as our own flame burns brightest, we are haunted by the embers of the first dying fire. But mostly, said Lord Jim, we are haunted by ourselves.
Jesus, music has always been my first love. I use music in my work because it's the fastest way to an emotional place. You hear a song, and that memory comes right back-- you're there... Making music is immediate, and it's all about you. If you're playing guitar, the feeling comes through-- the way you bend the note, the intensity with which you hit the strings. With making films, although it's real emotion, it's false emotion. You're lying.
I believe he died this way on purpose. I believe he wanted no chilling moments, no one to witness his last breath and be haunted by it, the way he had been haunted by his mother's death-notice telegram or by his father's corpse in the city morgue.
Twenty is a hard time. It doesn't matter what profession you're in or how much experience you have, you're always going to be haunted by this feeling of failing. It's terrifying.
When our party took over political power, the exploiting classes and reactionary forces went into action. The only rusty and antiquated tool that they use against us is preaching in the name of faith and religion against the progressive movement of our homeland... They ought to be uprooted as a cancerous tumor is from the body of a patient in a surgical operation.
I've always been haunted by the devastating voice and beautiful songs of Tim Hardin. I can't imagine anyone hearing him and not feeling the same.
I've always been keenly aware of the passing of time. I've always thought that I was old. Even when I was twelve, I thought it was awful to be thirty. I felt that something was lost. At the same time, I was aware of what I could gain, and certain periods of my life have taught me a great deal. But, in spite of everything, I've always been haunted by the passing of time and by the fact that death keeps closing in on us.
You can be sure that a painter reveals himself in his work as much as and more than a writer does in his.
I don't know how much time passes with us just lying there, just feeling that the other is really there, really true, really alive, feeling the safety of him, his weight against mine, the roughness of his fingers touching my face, his warmth and his smell and the dustiness of his clothes, and we barely speak.
Action seems to follow feeling, but really action and feeling go together; and by regulating the action, which is under the more direct control of the will, we can indirectly regulate the feeling.
I always get back to the question, is it really necessary that men should consume so much of their bodily and mental energies in the machinery of civilized life? The world seems to me to do much of its toil for that which is not in any sense bread. Again, does not the latent feeling that much of their striving is to no purpose tend to infuse large quantities of sham into men's work?
He understood that the ghost existed first and foremost within his own head. That maybe ghosts always haunted minds, not places. If he wanted to take a shot at it, he’d have to turn the barrel against his own temple.
I never saw a useful Christian who was not a student of the Bible. If a man neglects his Bible, he may pray and ask God to use him in His work; but God cannot make much use of him, for there is not much for the Holy Ghost to work upon.
This site uses cookies to ensure you get the best experience. More info...
Got it!