A Quote by Jean Dubuffet
I want my street to be crazy, I want my avenues, shops and buildings, to enter into a crazy dance, and this is why I deform and distort their outlines and colours. However I always come up against the same difficulty, that if all the elements were one by one deformed and distorted excessively, if in the end nothing remained of their real outlines, I would have totally effaced the location that I intended to suggest, that I wished to transform.
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Nobody supported me; my family thought I had gone crazy. They thought, you crazy gangster, you crazy drug addict, now you want to be a writer? That's it! They totally gave up on me after that.
No, I like normal life but I will go crazy if I'm not working. I'll say to my mom, "I'm going crazy! I'm going stir crazy!" I love my house. I love my family. I love my animals. Sometimes, I just want to work whether its on location here in Michigan or back in LA. I just want to work, work, work. It's what I want to do with the rest of my life so, yes, I do go a little bit crazy when I'm not working.
On 'Modern Family,' we have outlines, really strong outlines, when we go off to draft, so you have a reasonable expectation that that will be the story of your episode.
There was only one catch and that was Catch22, which specified that a concern for one's safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask, and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn't, but if he was sane he had to fly them. If he flew them he was crazy and didn't have to; but if he didn't want to he was sane and had to.
Don't write outlines; I hate outlines.
We live in this society where you must constantly be reinventing yourself. The big question is what are you doing next. The only thing they want is composed of these three elements: They want you to do it the exact same way because they want more of it; but they want it to be totally different; and they want it to be better. That's all you have to do. You just have to do something that's exactly the same, totally different, and better.
I made a point to not read too far ahead with the first six or seven episodes of any show. I would read the outlines, but I didn't really want to read scripts too far in advance because I didn't really want to get ahead of myself, at all. To be honest, I don't have the time to come up with theories.
My outlines are always very goal-based. What do I want to have happen by the ending and how can I earn that.
O that the gods would bring to a miserable end such fictitious, crazy, deformed labours, with which the minds of the studious are blinded!
I had to leave some traces. In the beginning, I would give complete instructions to the photographer. In the '70s, people would come to photograph your work and you would just end up with this crazy material that had nothing to do with your work; maybe I'd pick up two or three photographs that were the closest to the idea. This is why when you look at the '70s, you see much less documentation and really bad material. The material will become misleading to what the piece was.
Initially, he worried that he might be going crazy. But then he decided if you felt you were crazy you weren't really crazy because he had heard somewhere that crazy people didn't know they were insane.
Girls always want a reason to get crazy. I get the feeling that girls are crazy anyway, so they just want a reason to really get wild. Why not let it be to a Tyga song?
What? Is that boy crazy?" "Most young men his age are somewhat crazy, I think," Sazed said with a smile. "However, this is hardly unexpected. Haven't you noticed how he stares at you when you enter a room?" "I thought he was just creepy.
Sanity is a matter of culture and convention. If it's a crazy culture you live in, then you have to be irrational to want to conform. A completely rational person would recognize that the culture was crazy and refuse to conform. But by not conforming, he is the one who would be judged crazy by that particular society.
I used to come up with these crazy jobs to try and provoke my parents but they said, 'You can be anything you want.' So I was like, 'I want to be a garbage man' and they were like 'That's OK, we'll still love you!'
Jean-Luc didn't like me to say any bad words in real life, and I would always do it on purpose, just for fun. And he would go crazy! Then he had Brigitte Bardot do just that in 'Contempt.' And in that film she also has this line - 'I want red velvet curtains, or nothing at all in the apartment' - which was something I would always say.
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