A Quote by Jean Dujardin
It was actually quite easy to work with Uggie, because he's a really well trained dog. Very talented. I just had to follow him a little bit, improvise a little bit. Sometimes he'd follow me. Especially because of the sausages I had in my pocket.
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I can't speak American dog very well. There was a lot of improvisation with Uggie - like when I put the dog on the table or sometimes I follow him, sometimes he follows me. I had a lot of treats in my pocket. We worked with Omar Von Muller, the dog trainer. It was very easy because it was a big movie.
My mother, she's the one who's gifted with language. She can speak Japanese, of course, Tagalog, which is a Filipino dialect, Spanish as well as English. And I speak a little bit Japanese because I've had the opportunity to work alongside Japanese people. And a little bit of German, a little bit of Portuguese because of work. A little bit of French because of work. But then, if you asked me to carry-on an everyday conversation, I would fail miserably.
Most directors do work in pairs. There's usually some form of this, sometimes it literally comes down to you both show up in the morning and one of you is like, "I'm a little tired and overwhelmed today, so I might need you to just be a little step ahead of me and speak with more confidence because I'm not quite there." So, there's quite a bit of that in other teams.
I'm very blessed, mainly because even though my family is mostly in show business, it's really centered around music. My parents were very successful in many ways, but they weren't necessarily top of the charts. We were never wealthy because of music. We always had to work and we always had to struggle a little bit, and I think at the end of the day that's been very good for me, because I have a sense of it being very ephemeral.
Because in order to beat Jimmy, I had to get around the ball a little bit quicker so I wasn't always on defensive and catching the ball on last stride, that I had little more time. Once I was able to get little bit quicker, then it has helped me a lot.
The path I follow is still an Orthodox path. You have to follow a path; otherwise, it becomes a little bit new-age, a bit of this, a bit of that.
We brought him [Raffi Torres] in because he was an emotional, physical player. He's had nothing but a great attitude and a great work ethic with us all year long. He comes to play, prepares himself real well. We need him to play the way he does. You know, he's a little bit sometimes outside the box, but you've got to let him be who he is.
The difference between ordinary and extra-ordinary is so often just simply that little word - extra. And for me, I had always grown up with the belief that if someone succeeds it is because they are brilliant or talented or just better than me... and the more of these words I heard the smaller I always felt! But the truth is often very different... and for me to learn that ordinary me can achieve something extra-ordinary by giving that little bit extra, when everyone else gives up, meant the world to me and I really clung to it.
My father was a writer, so I grew up writing and reading and I was really encouraged by him. I had some sort of gift and when it came time to try to find a publisher I had a little bit of an "in" because I had his agent I could turn to, to at least read my initial offerings when I was about 20. But the only problem was that they were just awful, they were just terrible stories and my agent, who ended up being my agent, was very, very sweet about it, but it took about four years until I actually had something worth trying to sell.
I just saw dialogue, in the audition, and had no backstory. I was like, "I'm just going to be myself because I have no idea who this is or where he's coming from." The typical questions that actors have to ask themselves were very hard. I had to imagine, a little bit, and just made it work.
I know all too well what it takes to have a hit: A little bit of luck, a little bit of work, a little bit of talent.
There are a lot of people that have marginal powers, like a guy who levitates a little bit off the ground, or someone who can breathe a little bit of fire, or someone that can freeze a little bit of something, if it's really close to him, you say, "Well, what do you do with that? How is that useful?" There is so much of it around you and you're seeing it, it becomes the important thing in society.
The people at the very top could fall by and grace you with their presence and give you a little largesse, and you'd be "Oh, I'm so beloved." In a way, it was kind of like flattery. The middle managers didn't quite have that cachet, but at the same time, they had to seem like they were of that caliber. So there's a little bit of loneliness at the heart of those with a little bit of power.
I have great ideas, but the follow through is always really difficult for me. As my kid gets a little bit older, if I feel like I have a little bit more time on my hands, I'd like to get more into developing ideas and writing things.
When I look at certain aspects of popular culture - not everything because I like a lot of things - sometimes my heart breaks a little bit, just a little bit. I begin to ponder what happened to this generation, I don't know.
I had very little going for me as a kid except for the fact that I had demanding parents and was very good at filling out bubbles on standardized tests. I went to the Center for Talented Youth at Johns Hopkins University because I did well on the SAT. I went to Exeter because I did well on the SAT.
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