A Quote by Jean Dujardin
I want to work with a director who becomes my brother, my father, for two months. You give yourself over to that person.
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There are times as an actor when you don't work for two months, sometimes three or sometimes six, and the only thing that's going to keep you sane is if you give back and live your life. I've definitely gone through that. It's like, 'Okay, I'm out of work for two months.' That's two months I can paint.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
I have two different sides to my personality. I decided to give my fans what they want and who they are used to who is the person in all the videos and the person in 'Crazy in Love' who is Sasha Fierce. I have someone else takes over when its time for me to work and when I'm on stage.
When I was young, I was like, 'I want to want to work with this director and that director'. I've stopped doing that. You put yourself in a place where you get disappointed.
My dream is to become a director. I want to direct a Hindi film. I have two scripts ready. One of them is a fantasy-adventure, while the other is a thriller. I've assisted my brother Selvaraghavan, who's a well-known director in Tamil cinema. I've also made short films.
Before you can give of yourself to others you must know what of yourself you have to give. Every person is special. In all the land there is only one you, possibly two, but seldom more than sixteen.
I have done a lot of work in Bollywood over the years as an actor and director. I now want to pursue projects that will give me a global profile.
There's always room. That's what the directors usually want. They want the performer to bring themselves and give what they have to give for the role. The smart ones allow that to happen because then it becomes even more organic within the performer's imagination. It becomes even more real. It's not always a given in other films, but when Gunn works, and we all work together in a collaborative way like that, it becomes a given that you bring it. It becomes a lot of fun.
You stay with the foundation and then you just try different things because you don't know how the director will cut it and you want to give him, what will work, and you want to give him some options, give yourself some options, discover some things when you start to play. That's what we do; we get paid to play.
To be an actor is to be ambiguous in every form, which is a very hard way to live. You represent desire: the desire of the director and the desire of the audience, even if it's a subconscious desire. If a director is to work with you for two months, he must be in love with you in some way or another.
I can't even give my father a proper gift. Every single Father's Day means so much to me. I'm so close to him. He's my big brother, but also my father.
I don't care how big a director is; if I hear that he's miserable to work with, I'm not going to do it. I'm not gonna be in misery for two months because it's a good career move.
Immersion in a movie over months and months will give you what you just can't get in the same way over a four- or six-week period.
Two questions help us see why we are unlikely to get what we want by using punishment... The first question is: What do I want this person to do that's different from what he or she is currently doing? If we ask only this first question, punishment may seem effective because the threat or exercise of punitive force may well influence the person's behavior. However, with the second question, it becomes evident that punishment isn't likely to work: What do I want this person's reasons to be for doing what I'm asking?
Didn't you ever have a father yourself? You don't want him for a reason. You want him because he's your father.' So I figured it's because I never had a father that I don't want one now. A person can't miss something she never had.
What you feel about another person, what you think or say about another person, what you do to another person – you do to you. Give judgment and criticism and you give it to yourself. Give love and appreciation to another person or anything, and you give it to yourself.
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