A Quote by Jean Dujardin

I feel very at home in an empty church. I feel the most protected. It's very mystical. — © Jean Dujardin
I feel very at home in an empty church. I feel the most protected. It's very mystical.
When I get onstage in a play, I feel very safe, very protected, very fulfilled.
My childhood was protected by love and a comfortable home. Yet, while still a very young child, I began instinctively to feel that there was something lacking, even in my own home, some false conception of family relations, some incomplete ideal.
I don't know what it is to feel very British, but I feel that it's home, so I'm very happy to represent Great Britain.
If I'm in a social situation sometimes I'll hang back and observe people but I feel very much a part of things most of the time and feel very comfortable socializing and have for most of my life.
I think the one I'm most proud of as a songwriter is 'Breaking Your Heart' because it was just a different style for me. It was very - I feel like it was very old-timey Patsy Cline. It's got a very '50s feel to it, and I pushed myself to write those lyrics very intimately with my co-writer Ted Bruner.
I truly feel absolutely at home on the stage. It's very comfortable to me. It's very much my workplace, very much my workplace. I feel that an audience and I are happy with one another. I'm grateful for that.
I feel the theatre is the most unique one of all [the arts] for collaboration. I feel very fortunate to be in a field where I really do get to have long conversations with the visual artists, the actors, the musicians. It's all art forms rolled into one and I feel very fortunate to be a part of it.
Home to me is the world because my books have been translated into more than 30 languages. People feel they know me and the minute they talk about my life or books I feel at home. Home is where you are appreciated, safe and protected, creative, and where you are loved – not where you are put in prison.
I'm very grateful for the way that I feel when I play. I feel very powerful, I feel fast, I feel unstoppable, and that's because of my body.
When I'm on stage, I feel very much at home - within a theater, within an ensemble - so this entire process is something I feel very attuned with.
I seldom feel comfortable in a theatre. I always feel like I own a cinema. I feel equally happy in an empty one as a full one. Probably happier in an empty one!
To be labeled as a strong woman when you feel vulnerable is a strange place to be, because then you're, like, "Oh, I have to be strong now. But I don't feel strong. I feel alienated. I feel isolated. I feel that things are very surreal, and they're not authentic, and this is all just very overwhelming."
Are there days where I wish I was just at home with my kids? Yeah, most days. But then I look at our accomplishments, and I feel alive; I feel so proud of myself. So it's a very confusing thing to be a working parent.
Get yourself empty in the Eastern sense. Not in the Western sense. In the Western sense when we feel empty we feel lonely, miserable, but in the Eastern sense - "I'm so empty, because I'm filled with everything, and I'm connected to everything." It's very energizing. You want that kind of emptiness, whatever you have to do to get yourself quiet.
Whenever you feel threatened or afraid, you should place your hands over your third chakra, right in the middle of your stomach, and breathe very deliberately and slowly until you feel calm. In doing so, you will actually begin to feel stronger and more protected. Breath gives us life and it is the source of our power.
The blues to me is like being very sad, very sick, going to church, being very happy ... it's sort of a mixed up thing. You just have to feel it.
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