A Quote by Jean-Francois Cope

Antiwhite racism is developing in sections of our cities where individuals - some of whom have French nationality - contemptuously designate French people as gaulois on the pretext they don't share the same religion, color or origins.
[Albert] Camus' was born in Algeria of French nationality, and was assimilated into the French colony, although the French colonists rejected him absolutely because of his poverty.
I do not have the slightest bit of racism in me. I do not judge people with regards to the colour of their skin, their origin, or their religion. I defend them all, because I defend French people. And, of course, I defend the interests of France, the interests of French people.
We have talked about revoking French citizenship for some individuals. Therefore, I have decided to apply for citizenship, which in a way points out the contradictions of this bill that states the forfeiture of French citizenship exclusively to individuals holding dual nationalities. Through this application, I put myself in the midst of the French political debate and discredit everything that might be said against me about this matter.
I feel totally French - I don't feel half-French because of my dual nationality. For me, dual nationality just means I don't deny my roots.
I am a guest of the French language. My poems in French are born of my interaction with the French language, which is not the same as that of a French poet.
I went to Brown to be a French professor, and I didn't know what I was doing except that I loved French. When I got to Paris and I could speak French, I know how much it helped me to establish relationships with Karl Lagerfeld, with the late Yves St. Laurent. French, it just helps you if you're in fashion. The French people started style.
When I got to college I simply decided that I could speak French, because I just could not spend any more time in French classes. I went ahead and took courses on French literature, some of them even taught in French.
It's very important to say that French doesn't belong to France and to French people. Now you have very wonderful poets and writers in French who are not French or Algerian - who are from Senegal, from Haiti, from Canada, a lot of parts of the world.
When I arrived at Columbia, I gave up acting and became interested in all things French. French poetry, French history, French literature.
We need French chaplains and imams, French-speaking, who learn French, who love France. And who adhere to its values. And also French financing.
When I was a child, I grew up speaking French, I mean, in a French public school. So my first contact with literature was in French, and that's the reason why I write in French.
I'm always fetishizing the French woman and French taste and style. My assistant will make fun of me because every time we're picking the direction of a collection, I say the same thing: 'I want it to be really French.'
In the province of Quebec where I come from, we speak French and the only cosmopolitan city is Montreal. Every time we tackle the subject of immigration and racial tension, it's an issue that concerns Montreal. Also, in Quebec, we have this added issue that we want people to speak French, because French is always on the verge of disappearing to some extent. I work, play and do everything in French.
Why is there this myth? People say, 'Oh, you are a style icon. You're 'French, French, French.' It's not true, you know; there are stylish people everywhere.
People who share the same language, French or Chinese or whatever, have the same vocal cords and emit sounds which are basically the same, as they come from the same throats and lungs.
OSS 117 and maybe Un Balcon Sur La Mer directed by Nicole Garcia. It's a typical French movie with typical French themes with French actors, a French director.
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