A Quote by Jean Giono

I should like to write about what happens when fictive people encounter and are embellished by real people. — © Jean Giono
I should like to write about what happens when fictive people encounter and are embellished by real people.
I write about presidents. That means I write about guys - so far. I'm interested in the people closest to them, the people they love and the people they've lost... I don't want to limit it to what they did in the office, but what happens at home and in their interactions with other people.
I hope that if the people who read my work encounter people in the real world who are like the characters that I write about, that maybe that might make them feel empathy for those people. I know it sounds idealistic in a way, but I do hope that my work maybe changes some minds, and that my work makes readers see people as human that maybe before they read my work they might not have seen as humans, and those people include me and my family and my kids, people in my community.
I like to write about people who are real and likeable. I like to write about people who tell their stories in that close and intimate voice we use with best friends. I love the closeness and honesty and vulnerability that come from characters who can talk that way.
When you encounter people in life - like a chance encounter at a bar or wherever you happen to be - you make these incredibly quick, quite intricate decisions about people based on very small amounts of coded information. We're good at that.
It matters so much that from a very early age we encounter different kinds of different people, because that's what real life should be about as well.
You should write songs about what you feel, but you can't write in such a way like it's a diary entry. You should write it in a way that people understand in their lives.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
...we do not simply get showered with Hollywood money because we happened to write a little story about wizards one day. It's not winning the lottery. It's a real job, which real people do, and they have the same real problems as other real people.
Something amazing happens when you tell people you write about sports for a living. You begin to feel like you're in a scene from 'Dawn of the Dead.' The way people change when talking about 'their team' can be nothing short of zombiefication.
I believe that people should write biographies only about people they love, or understand, or both. Novels, on the other hand, are often better if they're about people the writer doesn't like very much.
If there's a message, it's that the unlovable and unattractive parts of ourselves should be embraced. The only real currency between people is what happens when they're not cool. And I hope people feel OK about not being cool.
I loathe the trivialization of poetry that happens in creative writing classes. Teachers set exercises to stimulate subject matter: Write a poem about an imaginary landscape with real people in it. Write about a place your parents lived in before you were born. We have enough terrible poetry around without encouraging more of it.
Real people had real agendas, real demands, real expectations about how other people should behave.
Some people say, 'Well you're a man; how do you write about women or girls when you don't know about them?' Well, I've got my imagination, and I can write about women. Yes, I'll never be pregnant and give birth to children, but I can imagine a bit of what it's like. When you create characters, it's just about making them really real to people.
I like to write about lots of things in real life that people can relate to, that people can I guess connect with and the fans could understand what I'm talking about.
When I read Matt Ruff's book, that was my first encounter with learning about sundown towns, and I was like 'What?' Like, you can't make this up. If I wrote this horror movie talking about sundown towns where you can't be black after dark in America, people be like, 'OK, we get the metaphor,' and it's like, no, that's real. It's not a metaphor.
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