A Quote by Jean Giraudoux
I don't like knowing about other people's feelings. There is nothing more embarrassing. Just as when you play cards and you see your opponent's hand. You are sure to lose.
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Hey, Nana... people's feelings change easily... what you see is a house of cards... nothing's sure, and nothing lasts forever.
Every time you play a hand differently from the way you would have played it if you could see all your opponents' cards, they gain; and every time you play your hand the same way you would have played it if you could see all their cards, they lose. Conversely, every time opponents play their hands differently from the way they would have if they could see all your cards, you gain; and every time they play their hands the same way they would have played if they could see all your cards, you lose.
Before you even consider making a value bet, try to determine if the bet will have any value at all. Attempt to put your opponent on a hand that he'd likely call a bet with on the river. To do this, you'll have to mentally play back the details of the hand. Think about your opponent's playing tendencies.
To most magicians, cards themselves are marvels...For one thing, they feel special in your hand. Touching them, holding them, shuffling - the whole process is almost poetic. If you're in a room full of magicians and someone just mentions the word cards, within seconds, everyone is digging into their pockets and pulling out a deck of cards. It's one of the most amazing feelings ever.
You play your cards so close to your chest," said Shadow, "that I'm not even sure they're really cards at all.
You have got to play the game with the cards that have been dealt to you, and it is of no use for you to bewail your fate because you don't hold different ones. Look them over, arrange them, and play. You certainly must play them before you will get any others, and you need never expect to have other people's cards.
Beauty is embarrassing for three reasons. When we see something beautiful it calls up raw, naked emotion and that's an embarrassing situation to be in. Number two... People that are born beautiful like supermodels act like entitled a**holes. It makes you embarrassed just to see 'em. They handle beauty embarrassingly. Number three... Artists are people who create beauty. That's the bottom line. It would be really embarrassing to introduce yourself as somebody who makes beauty. So that's just three of several reasons why I think beauty is embarrassing.
There are all sorts of losses people suffer - from the small to the large. You can lose your keys, your glasses, your virginity. You can lose your head, you can lose your heart, you can lose your mind. You can relinquish your home to move into assisted living, or have a child move overseas, or see a spouse vanish into dementia. Loss is more than just death, and grief is the gray shape-shifter of emotion.
In life, as in whist, hope nothing from the way cards may be dealt to you. Play the cards, whatever they be, to the best of your skill.
I think the kicks in Wing Chun are enough. It´s much easier to use your hands than to use your feet. Your hand is able to reach your opponent long before your foot. Why take the long way to attack (circle), when there is a much more direct method of attack? If you are using your hands, then your opponent can´t see a kick coming if you have to use it. When you teach Kung Fu, you can fool a lot of people, but not yourself. You can make like a movie and do many complicated movements and kicks, but you only fool yourself as to whether that would work in a real situation of life and death.
The main thing for me is just the length of time it takes to make a movie. It's at least a year of just talking about it, talking about it with yourself or your director or your other castmates or the press, so you just want to make sure it's a film that although you initially feel this pull or this drive to it, you don't really have the answers to why you're drawn to it. But it's more about not knowing the answers to certain questions but wanting to go on the journey of discovery to find the answers.
The frustrating part is knowing that you've done it before, knowing that you can play, but then your game starts going down the wrong path and you lose confidence. It's so easy to just start slipping away.
I tell young people: If you make a job choice on the basis of something other than your nose or your gut, it's unlikely to work out.... It's perilous to look ahead and be like, "I'd like to be ambassador." I would never have gone to Bosnia or spent years writing about genocide. Do it on the basis of what you can learn.... It's like falling in love. Your whole dating life, you're thinking, On the one hand, on the other hand. Then you meet the right guy, and you're not in list-making mode; you're just with the person you're supposed to be with. Jobs are like that too.
The secret to gaining the upper hand in a negotiation is to give the other side the illusion of control. Don't try to force your opponent to admit that you are right. Ask questions, that begin with 'How?' or 'What?' so your opponent uses mental energy to figure out the answer.
You see, in chess we have styles - like in any other field. There are also fashions in the kinds of systems that people play. So I'm trying to know my opponent as much as possible.
Maintain 'baseball cards' and/or 'believability matrixes' for your people. Imagine if you had baseball cards that showed all the performance stats. You could see what they did well and poorly and call on the right people to play the right positions in a very transparent way.
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