A Quote by Jean Hanff Korelitz

The first time I went to Helene Hanff's apartment at 305 East 72nd Street, it was 1977, and I was a 16-year-old girl who wanted to be a writer. — © Jean Hanff Korelitz
The first time I went to Helene Hanff's apartment at 305 East 72nd Street, it was 1977, and I was a 16-year-old girl who wanted to be a writer.
I learned an invaluable lesson from a kid in Argentina when we were playing Buenos Aires in 2002. I came out of the hotel and this 16-year-old-boy asked me to sign his copy of my Six Wives of Henry VIII album. As I was signing it I asked him 'what does a 16 year-old like about this old music?' and he looked at me, quite hurt, and said, 'it might be old to you, Mr Wakeman, but I only heard it for the first time last week. When you hear something for the first time, it's new.' I've never forgotten that.
Every other 16-year-old girl wanted to look at bridal magazines; I could not have been more bored with the notion.
When I was 16 years old, watching football for the first time, the Cowboys were always on TV - unfortunately, looking back at it now - but Jason Witten was the guy who carried himself, in my opinion as a 16-year-old kid, the right way. He was a phenomenal tight end.
I was a 16-year-old little girl from this little town who just wanted to sing.
Diablo Cody wasn't writing a script about a 16-year girl that got an abortion. She was writing a script about a 16-year old girl that got pregnant, decided to have the baby and give it to a young yuppy uptight couple for adoption. That's what the movie is about.
I began my journey as a 16-year-old boy at the Arsenal's academy, trying to one day become a first team player, going out for evening runs in East Barnet with Jack Wilshere.
I'm a fifty-three-year-old writer who can remember being a ten-year-old writer and who expects someday to be an eighty-year-old writer.
There was a show in Germany called Beat Club, and they had a lot of bands playing live. And I had this master plan, at 11 years old, I wanted to play electric guitar, but I knew... We lived in a small apartment, there was no way that was going to happen. I told my parents I wanted a classical guitar and I wanted to start studying classical guitar. So then a few years later, I think around 16 or so, I started playing electric. But that was my, my plan as an 11 year old. I thought I was so crafty.
Now I have the voice of a 16-year-old. I'm looking for a doctor who could give me the body of a 16-year-old.
I'm a 48-year-old writer who can remember being a 10-year-old writer and who expects someday to be an 80-year-old writer. I'm also comfortably asocial -- a hermit in the middle of Los Angeles -- a pessimist if I'm not careful, a feminist, a Black, a former Baptist, an oil-and-water combination of ambition, laziness, insecurity, certainty, and drive.
My body is full of graves. A sepulcher is dug up, and a young girl comes out of it with her dusty hands in tears. A lady who is a young girl and an old girl at the same time feels the presence of the young girl. I feel that the 15-year-old me and the 50-year-old me come out of the sepulcher through an illegal excavation.
I've never been a 16-year-old girl.
England Under 16, Under 17, Under 18, I played centre-half. But back then, David Moyes thought it was difficult to throw a 16-year-old in there. There was a big hype around me. He wanted me to fulfil my potential; he wanted to get me in as early as possible.
When you grow up in New Orleans, like, the only way to be an artist is to be a 55-year-old black musician. That's basically what we wanted to be. If you had asked me very truthfully what I wanted to be when I was 16, the answer would've been, 'I want to be a 55-year-old black musician.'
I was a 16-year-old girl at one point, so of course I wrote poetry.
The real estate agent had to go door-to-door in the apartment building we wanted to rent, asking if it was OK for this interracial family - my mom is white and I was a 1-year-old half-African kid - to live in the apartment building.
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