A Quote by Jean Hanff Korelitz
When you get right down to it, there's something uniquely satisfying in being gripped by a great plot, in begrudging whatever real-world obligations might prevent you from finding out what happens next.
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I think what happens is that some writers, who are so great in television or whatever, once they become successful, they get out of the loop of real life. It's real hard to draw on something to write.
The excitement I get from writing is finding out each day what happens next.
I love finding out how authors work, because it can either go full Carrie in 'Homeland,' with loads of Post-it Notes and string on the wall and they know everything that's happening in the plot - or they let the characters tell them where they want to go and what happens next.
You don't want to wait until something horrible happens to get help. Admit that something's not right. You might not know exactly what, but you still want to go get it checked out.
People get all upset about torture, but when you get right down to it, it's really a pretty good way of finding out something a person doesn't want you to know.
Whatever happens, happens. I can't give you a prediction because Jim (Irsay) and I will sit down at some point and he'll get a feel for where I am and I’ll get a sense of what direction he wants to go. Right now, I have no idea.
I do work hard at trying to find the right expression for something, which might be like finding the right image - choosing not only the right words but down to the right number of lines. I remember being in Maine once at Colby College with Alex Katz. It houses hundreds of his works. There was a painting of just one seagull against a blue sky. I was admiring it and Alex said, "45 brush strokes exactly."
I'm going to go out and give it all I can, and it isn't going to be on my mind that I might get hurt. If it happens, it happens, and I'll be OK with whatever does happen.
I think the most important advice is, a person doesn't have to find out right away. It's not like their first attempt at finding a profession is the only one they're going to find. I might well have gone down other paths, and it still might have been okay. But if you find something that you love, and if it keeps deepening with each new experience, then just stay with it.
What you learn in school is the opposite of what happens in the real world. In school, you're always worried about minimums. You have to reach 20 pages or you have to have so many slides or whatever. Then you get out in the real world and you think, 'I have to have a minimum of 20 pages and 50 slides.
What you learn in school is the opposite of what happens in the real world. In school, you're always worried about minimums. You have to reach 20 pages or you have to have so many slides or whatever. Then you get out in the real world and you think, 'I have to have a minimum of 20 pages and 50 slides.'
Movies are great, but the real romance happens right here somewhere as real close-up. Either you're the one erasing or you're the one being erased, so... It's not a pleasant feeling!
Let me tell you something, Mari. The ground we stand on looks solid enough, but if something happens it can drop right out from under you. And once that happens, you've had it: things'll never be the same. All you can do is go on, living alone down there in the darkness.
I don't see any harm in letting whatever comes out come out of you, even if it's sort of weird, or dark, or painful, or too embarrassing, or whatever. I feel like you might as well get it down for yourself. It can't do anything but help you get to where you want to be by recognizing the thoughts that you're having.
It's almost out of sight out of mind because there's so many cards. One great fight could happens one weekend and another great fight happens next weekend, you kind of get swallowed up in that pack. So you have to find a way to separate yourself and what better way to do that than on ESPN?
Being a fiction writer is really like being an actor, because if you're going to write convincingly it has to sound right and play right. The only way that works is to emotionally and technically act out and see the scene you're in. There's no better job in the world, because when I sit down at that computer I'm the world's best forensics expert, if that's what I'm writing about that day. Or I'm some crazed psycho running down a dark alley. Or I'm a gorgeous woman looking to find a man that night. Whatever! But I'm all of those things, every day. How can you beat that?
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