A Quote by Jean Hersey

November is chill, frosted mornings with a silver sun rising behind the trees, red cardinals at the feeders, and squirrels running scallops along the tops of the gray stone walls.
November's sky is chill and drear, November's leaf is red and sear.
I trust the red sun setting, the leafless November trees. On Monday morning I look foward fearlessly to Friday’s eve. But humans are not as reliable as nature, as trees. I wonder if you’ll come back; I trust only that you leave.
A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock, (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you; I will show you fear in a handful of dust.
The sun began to set behind Bethlehem and the beams were breaking through some white and gray clouds. There was a slight and beautiful chill from the autumn air. I gave thanks for that beautiful day and for the fact that the sun does not know Palestinian from Israeli, Christian from Muslim or Jew, and Asian from American or African, and I asked myself: If the sun shines on all of us as one, how much more does the sun's Creator see and love us all as one?
There was no one color that could paint Lena Duchannes. She was a red sweater and a blue sky, a gray wind and a silver sparrow, a black curl escaping from behind her ear.
It was October again ... a glorious October, all red and gold, with mellow mornings when the valleys were filled with delicate mists as if the spirit of autumn had poured them in for the sun to drain - amethyst, pearl, silver, rose, and smoke-blue. The dews were so heavy that the fields glistened like cloth of silver and there were such heaps of rustling leaves in the hollows of many-stemmed woods to run crisply through.
The sun is a huntress young, The sun is a red, red joy, The sun is an Indian girl, Of the tribe of the Illinois. The sun is a smouldering fire, That creeps through the high gray plain, And leaves not a bush of cloud To blossom with flowers of rain. The sun is a wounded deer, That treads pale grass in the skies, Shaking his golden horns, Flashing his baleful eyes. The sun is an eagle old, There in the windless west. Atop of the spirit-cliffs He builds him a crimson nest.
He lowered the window, and looked out at the rising sun. There was a ridge of ploughed land, with a plough upon it where it had been left last night when the horses were unyoked; beyond, a quiet coppice-wood, in which many leaves of burning red and golden yellow still remained upon the trees. Though the earth was cold and wet, the sky was clear, and the sun rose bright, placid, and beautiful.
Gray goes with gold. Gray goes with all colors. I've done gray-and-red paintings, and gray and orange go so well together. It takes a long time to make gray because gray has a little bit of color in it.
The cardinal points are a direct reference to the astrological colures. The Cardinals surround the Pope as the cardinal points surround the sun. The sun casts its rays on the Houses as it passes, turning them crimson. The color worn by the physical Cardinals is red, to symbolize that they are illuminated by their proximity to the Pope, the representative of God on earth. The word Pope, may also be a derivative of the word in Egyptian for the evil serpent Apep, Apophis or Apopsa (See Poop Deck and Pupa, and Pepsi, Pepsid, Dr. Pepper, Sgt. Pepper, etc,).
Leave a cavity behind the [wall] facings, and on the inside build walls two feet thick, made of red dimension stone or burnt brick or lava in courses, and then bind them to the fronts by means of iron clamps and lead. The beds and builds, all settling equally and bonded at the joints, will not let the work bulge out, nor allow the fall of the face walls which have been tightly fastened together.
All the times, all the very many times, I had been forced to thwart and stifle my own nature seemed to gather together then, in that hot and dismal corridor. I heard a rushing sound in my head and felt a pressure in my breast, like floodwaters rising behind a flimsy dike. Before I knew I did it, the soup bowl was rising in my hand as if elevated by some supernatural force. Then, its yellow-gray contents were running down the nurse's pudgy face.
I wish you were that birch rising from the clump behind you, and I the gray oak alongside.
How little we have, I thought, between us and the waiting cold, the mystery, death--a strip of beach, a hill, a few walls of wood or stone, a little fire--and tomorrow's sun, rising and warming us, tomorrow's hope of peace and better weather . . . What if tomorrow vanished in the storm? What if time stood still? And yesterday--if once we lost our way, blundered in the storm--would we find yesterday again ahead of us, where we had thought tomorrow's sun would rise?
I left the jutra to chop wood. I began my walk through the snow, five kilometers to the tree line. That's when I saw it. A tiny silver of gold appeared between shades of gray on the horizon. I stared at the amber band of sunlight, smiling. The sun had returned. I closed my eyes. I felt Andrius moving close. "I'll see you," he said. "Yes, I will see you," I whispered "I will." I reached into my pocket and squeezed the stone.
[Man's] life consists in a relation with all things: stone, earth, trees, flowers, water, insects, fishes, birds, creatures, sun,rainbow, children, women, other men. But his greatest and final relation is with the sun.
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