A Quote by Jean Houston

If you're looking ecologically, then we are in very big trouble, yes. But if you're talking about people sinking, I'm not so sure that's true. There are cycles of rise and fall, as there have been since time immemorial.
One of the things I've probably absorbed when I was in business school - and didn't know I was learning it - was about life cycles, that things begin, and they peak, and then they decline. So whether you look at life cycles of fashion, or you look at life cycles of things that people buy, designs, everything is in a life cycle. Getting out of the apparel businesses and into beauty and lingerie, those were very big bets, but they were very deliberately thought about and tested over time.
The world has witnessed the rise and fall of monarchy, the rise and fall of dictatorship, the rise and fall of feudalism, the rise and fall of communism, and the rise of democracy; and now we are witnessing the fall of democracy... the theme of the evolution of life continues, sweeping away with it all that does not blossom into perfection.
The human rights record within China seems to rise and fall over time, but it's very clear that in the run up to the 2008 Beijing Olympics and since then, there's been a greater intolerance of dissent and the human rights record of China has been going in the wrong direction.
It's like the Tibetan Wheel of the Passions. As the wheel turns, the values and feelings on the outer rim rise and fall, shining or sinking into darkness. But true love stays fastened to the axle and doesn't move.
Success is not something I've wrapped my brain around. If people go to those movies, then yes, that's true, big-time success. If not, it's much ado about nothing.
When you have success on the field, you're more popular and you have that fame that comes with it. You realize you're in the public eye more and you've got to be a little bit more careful about some of the things you're doing out in public and make sure you're smart about the things you say. You're still going to make mistakes from time to time, but you represent an even greater population and people are that much more looking for you to be in the wrong place at the wrong time or fall down or say something really stupid that's going to get you in trouble.
I've been talking about things like reversing the rise of inequality and strengthening social mobility,since before it was cool.
You're always looking to make it a bit fresh. I want to make sure people are constantly surprised and interested, and we're always talking to the directors about that. It's a big challenge to find people that can do it.
It's hard to know what to say about somebody like that, except there are people who look for trouble. And trouble is very easy to find when you go looking for it.
I was getting mad at the system or the politicians or the government, and then I realized someone should talk about this stuff, and I have a big, multinational global-youth platform of kids who are going to change the world. So I was like, "I should be doing that. I should be showing this to people. That's my job." And since that time, I've been very happy.
I am a huge Prince fan. It's a very rare thing for him to have people open for him. It's been the Time and Sheila E., and that's about it. Building a relationship with him has been like a dream come true. I've been looking for a mentor, and I feel like I have that in him.
I've spent enough time behind a bar that I've formed a few opinions about what people wear and what it says about them. Guys who wear black from head to toe fall into two categories: they want to be trouble, or they are trouble.
Whenever you get involved with talking about rights, you're talking about being a citizen. You're talking about being a citizen in capitalism; you're talking about what rights are granted to what identities, under what laws, and all that is a big mix. Marriage is, among many other things, a formality to channel capital through a family. And that's why the big DOMA lawsuit was about paying too many taxes! "I wouldn't have had to pay all these taxes if Theodora had been Theo" - that was the big tagline. It's all about protecting assets.
I conceived from the outset a strong objection to Zionism. I considered it immoral that immigrants should come from abroad with the avowed intention of attaining to majority in the country and thus to dispossess the people whose country it had been since time immemorial.
I get a singular comment that's very revealing: "I didn't know what to expect." Every time I hear that I think it's really just code for, "I wasn't sure I'd be comfortable with you in this role," which I understand coming from Oscar Bluth and Hank Kingsley and whatever. But I think there's a degree of, "Oh, okay, this is how it is." Then almost always people tell me that they love it and then people start talking to me about their families, whether it's transgender issues or not.
I think a lot of people make a big misstep when they assume what an artist is going to be interested in, so I try to just take that out of the equation and make sure whenever I'm talking to people about their music, I'm getting all my context clues from that - and then we go to work.
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