A Quote by Jean-Jacques Rousseau
It is well known that a loose and easy dress contributes much to give to both sexes those fine proportions of body that are observable in the Grecian statues, and which serve as models to our present artists.
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Every one knows, that the mind will not be kept from contemplating what it loves in the midst of crowds and business. Hence come those frequent absences, so observable in conversation; for whilst the body is confined to present company, the mind is flown to that which it delights in.
All of the pleasures of this present physical life can be continued into the next life as well, since we will have a body which is similar to our present physical body, but so much more glorious and wonderful and supernatural. We will be able to eat, drink, be merry and have fun without ever suffering pain or sickness or weariness or death.
We wish we could have been there for you. We didn't have many role models of our own--we latched on to the foolish love of Oscar Wilde and the well-versed longing of Walt Whitman because nobody else was there to show us an untortured path. We were going to be your role models. We were going to give you art and music and confidence and shelter and a much better world. Those who survived lived to do this. But we haven't been there for you. We've been here. Watching as you become the role models.
Nakamura Tempu Sensei viewed the mind as a segment of the body that could not be seen and the body as the element of the mind that was observable. He also likened the mind and body to a stream, with the mind as the source flowing down to the body. Whatever we drop in the stream will be carried down by the current. In like manner, our thoughts will influence the body and our well being.
Our situations... are very different. The nature of our politics is different. I don't deny, though, that political cycles, which are observable in the United States, are sometimes observable here.
Rules of property ought to be generally known, and not to be left upon loose notes, which rather serve to confound principles, than to confirm them.
My concern today is with the painting of manners of the present. The past is interesting not only by reason of the beauty which could be distilled from it by those artists for whom it was the present, but also precisely because it is the past, for its historical value. It is the same with the present. The pleasure which we derive from the representation of the present is due not only to the beauty with which it can be invested, but also to its essential quality of being present
As with any outfit, the primary elements of normcore are fit, color, and texture, all of which must match both normcore's loose silhouette, and at the same time, suit your body. Above all else, it's about comfort. So if it doesn't look effortless and easy, it's not normcore.
A dress is a piece of ephemeral architecture, designed to enhance the proportions of the female body.
The Greeks put us to shame not only by their simplicity, which is foreign to our age; they are at the same time our rivals, nay, frequently our models, in those very points of superiority from which we seek comfort when regretting the unnatural character of our manners. We see that remarkable people uniting at once fullness of form and fullness of substance, both philosophising and creating, both tender and energetic, uniting a youthful fancy to the virility of reason in a glorious humanity.
Fine-tuning a play like 'Uncle Vanya,' which is already well-known to the people playing it, is not so much a verbal exercise as it is a visceral one.
We must not allow the liberals to move us away from the conservative values of the American past which sustain our present and shall secure our future. As for me and my family, we will serve God, we will serve this constitutional republic, we will serve America.
When you're working with other artists, it's often a mix of your ideas with somebody else's, which can be extremely fruitful. But then it's also interesting to present the completely undiluted vision of what I imagine music could be. I care about both my own music and collaboration equally, and I pretty much split my time equally, as well.
If you shall marry, You give away this hand, and this is mine; You give away heaven's vows, and those are mine; You give away myself, which is known mine; For I by vow am so embodied yours That she which marries you must marry me-- Either both or none.
My greatest passion has always been connecting with creative people, appreciating the artistic and discovering fresh perspectives on the world. I came on board to use my experience in building an international community of photographers, illustrators and video artists at iStockphoto who learned, grew and sold their work to millions around the world. Building a community that large requires personality, a keen sense of what both the contributing artists and the buying audience need, and an ability to balance both. I wanted very much to transfer those skills to the fine art world.
You may go from the Battery to Harlem, and in our monuments and statues of public men you will see the slavish adherence to Greek and Roman ideals, from which our artists cannot get away.
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