A Quote by Jean-Jacques Rousseau
The French, for example, are a contemptible nation.
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The imagination is a place all by itself. A separate country. Now, you've heard of the French nation, the British nation. Well, this is the Imagi-nation. It's a wonderful place.
Literary confessors are contemptible, like beggars who exhibit their sores for money, but not so contemptible as the public that buys their books.
Israel, for me, represents so much more than a nation. It's a very idealized example for the world. It's not just a nation that needs to be strong, secure, and safe. For me, for the sake of humanity, Israel needs to be a light that is an example to all nations.
Yannick, for me, is an example, an example for all the French players. We all want to taste ourselves what he was able to taste first.
There is no being so poor and so contemptible, who does not think there is somebody still poorer, and still more contemptible.
the habit of generalizing from one particular, that mainstay of the cheap and obvious essayist, has rooted many fictions in the public eye. Nothing, for example can blot from my memory the profound, searching, and exhaustive analysis of a great nation which I learned in my small geography when I was a child, namely, 'The French are a gay and polite people fond of dancing and light wines.
The nation-state became powerful in the wake of the French Revolution, whereas the nation-state has become powerless in light of globalization.
The English, a spirited nation, claim the empire of the sea; the French, a calmer nation, claim that of the air.
I think we have to understand that the nation-state became powerful in the wake of the French Revolution, whereas the nation-state has become powerless in light of globalization.
We need French chaplains and imams, French-speaking, who learn French, who love France. And who adhere to its values. And also French financing.
When I arrived at Columbia, I gave up acting and became interested in all things French. French poetry, French history, French literature.
When I was a child, I grew up speaking French, I mean, in a French public school. So my first contact with literature was in French, and that's the reason why I write in French.
Personally, I am a nationalist, but my race is my nation, and I see all true Europeans as my racial brethren and part of my nation, be them Norwegian, Danish, or Swedish, French, German, or English, Russian, Polish, or Belorussian, or whatever.
I went to Brown to be a French professor, and I didn't know what I was doing except that I loved French. When I got to Paris and I could speak French, I know how much it helped me to establish relationships with Karl Lagerfeld, with the late Yves St. Laurent. French, it just helps you if you're in fashion. The French people started style.
OSS 117 and maybe Un Balcon Sur La Mer directed by Nicole Garcia. It's a typical French movie with typical French themes with French actors, a French director.
It's very important to say that French doesn't belong to France and to French people. Now you have very wonderful poets and writers in French who are not French or Algerian - who are from Senegal, from Haiti, from Canada, a lot of parts of the world.
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