A Quote by Jean-Jacques Rousseau
Accent is the soul of language; it gives to it both feeling and truth.
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But the soul has no culture. The soul has no nations. The soul has no colour or accent or way of life. The soul is forever. The soul is one. And when the heart has its moment of truth and sorrow, the soul can't be stilled.
I do not communicate by words alone. In fact, rarely do I do so. My most common form of communication is through feeling. Feeling is the language of the soul. If you want to know what's true for you about something, look to how you're feeling about it... Hidden in your deepest feelings is your highest truth.
Fame can be very disruptive. It can be like a drug. It gives you the feeling that you're happy, it gives you the feeling of self-importance, it gives you the feeling of fullfilment; but it can distract you from what is really important.
When you hear somebody speaking in an accent, it's almost like they're invading your language while they're speaking to you because if you hear someone speak another language, you almost don't care. But when they speak your language with an accent, it feels like an invasion of something that belongs to you. And, immediately, we change.
I start with the story, almost in the old campfire sense, and the story leads to both the characters, which actors should best be cast in this story, and the language. The choice of words, more than anything else, creates the feeling that the story gives off.
Feeling is the language of the soul. If you want to know what's true for you about something, look to how you're feeling about it.
The poet, therefore, is truly the thief of fire. He is responsible for humanity, for animals even; he will have to make sure his visions can be smelled, fondled, listened to; if what he brings back from beyond has form, he gives it form; if it has none, he gives it none. A language must be found…of the soul, for the soul and will include everything: perfumes, sounds colors, thought grappling with thought
I have to watch my language. I think a lot about the words I use in both the public environment and the dressing room. The language you use is a direct insight into how you are feeling.
It's funny because when I'm outside Australia, I never get to do my Australian accent in anything. It's always a Danish accent or an English accent or an American accent.
Shakespeare's language does not require a British accent. It requires a facility with language, and that's all.
I speak with a Northern Irish accent with a tinge of New York. My wife has a bit of a Boston accent; my oldest daughter talks with a Denver accent, and my youngest has a true blue Aussie accent. It's complicated.
Greek is a musical and prolific language, that gives a soul to the objects of sense, and a body to the abstractions of philosophy.
We switch to another language-- not our invented language or the language we've learned from our lives. As we walk further up the mountain, we speak the language of silence. This language gives us time to think and move. We can be here and elsewhere at the same time.
It is not the language of painters but the language of nature which one should listen to, the feeling for the things themselves, for reality is more important than the feeling for pictures.
The attainment of truth is then the function of both the intellectual parts of the soul. Therefore their respective virtues are those dispositions which will best qualify them to attain truth.
Feeling good and feeling bad are not necessarily opposites. Both at least involve feelings. Any feeling is a reminder of life. The worst 'feeling' evidently is non-feeling.
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