A Quote by Jean Liedloff

A baby's cry is precisely as serious as it sounds. — © Jean Liedloff
A baby's cry is precisely as serious as it sounds.
Ignoring a baby's cry is like using earplugs to stop the distressing noise of a smoke detector. The sound of a smoke detector is meant to alert us to a serious matter that requires a response - and so is the cry of a baby.
Cry Baby wasn't necessarily a baby theme but I understand what they're saying. So like, Cry Baby is definitely a remaining character throughout all of my albums.
Storm the castle Stem the tide Rise above yourself Cry baby cry Cry cry to heaven If that doesn't do it for you Go ahead and cry like hell
I was always called a cry baby, and I was one. I cried a lot as a child. In fact, I still cry a few times a day. I'm still a cry baby.
He was so good with the kids on the set. He just knew exactly how to handle them. The baby would cry and Vin would hold him and do all these weird sounds and the baby would stop crying. It was really cute.
I'm insane, I'm emotional, but I'd rather be that than a robot. So that's definitely something that I wanted to get out there. Especially with Cry Baby's story, because the album is about Cry Baby but I realized that me and her went through the same change.
Cry Baby is about Cry Baby and the next album [which I think I have a title for but I don't wanna say anything yet because I don't know and it's too early] is a place in the weird town that I'm trying to create and its Cry Baby's perspective throughout this album. You're not learning about her, you're learning about the place that she's in and her perspective. Down the line for sure I will think of other characters in this world.
Babies cry, make noise, go here and there. But it annoys me when a baby cries in church and there are those who say he needs to go out. The cry of a baby is God's voice: never drive them away from the church!
I get this a lot: 'Oh, can you take a picture with my baby? Can you hold the baby?' I don't want to hold your baby! I'll hold my baby. I don't like holding someone else's baby. I'm serious! You never know what could happen. It's such an awkward position you're put in, and it's like, 'No, sorry.'
The Cry Baby character is so, like, based off of myself that it just really is just from personal experience. And when I was younger I was called a cry baby and made fun of for being super emotional and taking things way to personal.
I do love to cry. I'll cry at the drop of a hat. I'll cry at your basic television programme, let alone a weepie. But not big, heavy, serious crying. I haven't done that for a while, which is a relief. More like a little welling up of joy.
The whole point of Camp is to dethrone the serious. Camp is playful, anti-serious. More precisely, Camp involves a new, more complex relation to "the serious." One can be serious about the frivolous, frivolous about the serious.
As soon as a baby enters the world, the baby is immediately introduced to pain. It is somewhat symbolic that life begins with a cry.
Once I was done making my album 'Cry Baby,' I knew I wanted to make a vintage-inspired baby bottle perfume.
Baby's room should be close enough to your room so that you can hear baby cry, unless you want to get some sleep, in which case baby's room should be in Peru.
One way to make a baby cry is to expose it to cries of other babies. There's sort of contagiousness to the crying. It's not just crying. We also know that if a baby sees another human in silent pain, it will distress the baby. It seems part of our very nature is to suffer at the suffering of others.
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