A Quote by Jean Lorrain
The charm of horror only tempts the strong
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Rarity gives a charm; so early fruits and winter roses are the most prized; and coyness sets off an extravagant mistress, while the door always open tempts no suitor.
The Devil never tempts us with more success than when he tempts us with a sight of our own good actions.
Horror isn't only about ghosts or monsters. For example, paranormal romance seems the antithesis of horror. Once you have a sexy, fun vampire who is sweet, and you have a happy ending, it's not horror.
Development of 'Bloodborne' and sinking into the battle of the hunter and the unique horror world was not only an exciting experience but it also allowed me to re-acknowledge the charm of a fantasy world and the intrigue of 'Dark Souls' for me.
Essayists must not only be succinct but have original ideas and, even harder to come by, or to fake, likable voices. Consciously or not, they endeavor to win us over by charm. If an essayist can not only charm but write the unforgettable sentence, one that reveals the heart in a few words, I'm her slave.
It is certainly not the least charm of a theory that it is refutable; it is precisely thereby that it attracts the more subtle minds. It seems that the hundred-times-refuted theory of the "free will" owes its persistence to this charm alone; some one is always appearing who feels himself strong enough to refute it.
I spent years only ever reading horror and then trying to write horror - and deep down, a horror writer is still what I'd love to be. But it wasn't until I started writing crime that things began to work for me.
The horror no less than the charm of real life consists precisely in the recurrent actualization of the inconceivable
If you're trying to write about very strong horror, very strong fear or very strong emotion, it's easy to overwrite it.
'Charm' - which means the power to effect work without employing brute force - is indispensable to women. Charm is a woman's strength just as strength is a man's charm.
Charm" — which means the power to effect work without employing brute force — is indispensable to women. Charm is a woman's strength just as strength is a man's charm.
As a kid I was into horror. I loved horror. Horror was huge. I was always into horror. Goosebumps for me was massive growing up. Horror for me was always a big thing.
It's a sort of bloom on a woman. If you have it, you don't need to have anything else, and if you don't have it, it doesn't much matter what else you have. Some women, the few, have charm for all; and most have charm for one. But some have charm for none.
The only thing is, I'm terrified of horror movies. I'm scared - I'm admitting it! I mean, I would still do a horror movie; I just probably wouldn't be able to watch it.
The definition of horror is pretty broad. What causes us "horror" is actually a many splendored thing (laughs). It can be hard to make horror accessible, and that's what I think Silence of the Lambs did so brilliantly - it was an accessible horror story, the villain was a monster, and the protagonist was pure of heart and upstanding so it had all of these great iconographic elements of classic storytelling. It was perceived less as a horror movie than an effective thriller, but make no mistake, it was a horror movie and was sort of sneaky that way.
The great thing about visual horror films is there's real potential for strong, beautiful imagery. It's the one genre that really lends itself to creating strong images. And I've always loved that idea of windmills - your mind aimlessly spinning.
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