A Quote by Jean M. Auel

It took some time to gather the research and develop it into the storyline, and to finally finish an origin myth poem that I had been working on for twenty years. — © Jean M. Auel
It took some time to gather the research and develop it into the storyline, and to finally finish an origin myth poem that I had been working on for twenty years.
Piggie James was the storyline that brought LayCool to fruition and really started and helped develop our characters. It was a main storyline that, at the time, started giving Divas more screen time and longer matches - we even had a huge celebration.
So whenever I had some in-between producing time down in my studio I popped a tape in and started working on it. Working a little bit at a time, it actually took almost four years.
I had a long-term relationship that failed. I had some health issues. When you dip down emotionally you can gather some things that help you when you do rise. If you go through it and you're OK, you can develop some scars that help you in the time after.
I often reflect on what an extraordinary time (pun intended) it is to be alive here in the beginning of the twenty-first century. It took life billions of years to get to this point. It took humans thousands of years to piece together a meaningful understanding of our cosmos, our planet and ourselves. Think how fortunate we are to know this much. But think also of all that's yet to be discovered. Here's hoping the deep answers to the deep questions-from the nature of consciousness to the origin of life-will be found in not too much more time.
Plagiarism has been around far longer than the Internet. In fact, I had a poem published in 'Seventeen' magazine when I was 15 years old. About a year later I was informed that there was a girl who used that same poem to win a statewide poetry competition in Alabama. It took months for people to put together that this had happened.
After I had been working as a cap maker for three years it began to dawn on me that we girls needed an organization. The men had organized already, and had gained some advantages, but the bosses had lost nothing, as they took it out on us.
Twenty-five, he was. Twenty-five tomorrow. Some years the snow had melted for his birthday, but not this year, and so it had been a long winter full of cows.
I worked for twenty-some years with no capital, so I never had any liquidity. Managing my loans alone wouldn't do it, and working hard twenty-four hours a day seven days a week alone wouldn't do it. You have to be properly capitalized.
I had written a book called "Boston Boy" some years ago, and that took me from the time I could speak, I guess, in Boston through the time when I finally left to come to New York. That book had a number of sort of rites of passage for me.
This man, who for twenty-five years has been reading and writing about art, and in all that time has never understood anything about art, has for twenty-five years been hashing over other people's ideas about realism, naturalism and all that nonsense; for twenty-five years he has been reading and writing about what intelligent people already know and about what stupid people don't want to know--which means that for twenty-five years he's been taking nothing and making nothing out of it. And with it all, what conceit! What pretension!
I feel great that I've been given a chance in the golden years of my life. To me, it's the last battle, and I've been given a chance to get stuck in some good armament, some good power, and there's a chance that now I can finish off my working years with my head held high.
My idea in Half the Kingdom was simply, or not so simply perhaps, that medical science has given us twenty extra years of life. Those twenty extra years - one is grateful for them, one is happy, but they also give you ten or twenty years more of losing your faculties. That is actually the origin of my notion. Once you live longer than you're supposed to live, things go dreadfully wrong. But nevertheless, you're not dead.
If there is no solace in the fruits of our research, there is at least some consolation in the research itself. Men and women are not content to comfort themselves with tales of gods and giants, or to confine their thoughts to the daily affairs of life; they also build telescopes and satellites and accelerators and sit at their desks for endless hours working out the meaning of the data they gather.
The subject of the poem usually dictates the rhythm or the rhyme and its form. Sometimes, when you finish the poem and you think the poem is finished, the poem says, "You're not finished with me yet," and you have to go back and revise, and you may have another poem altogether. It has its own life to live.
It took me twenty years to discover painting: twenty years looking at nature, and above all, going to the Louvre.
A lot of the medical imagery has to do with my own biography. I had open heart surgery, I had knee replacements, I had a hiatal hernia, etc. Every time you go for surgery, you get a whole spectrum of imaging. Of course, I've been doing research in imaging technology across the board for close to twenty years. When you think about it, medical imaging is actually quite new. The first major medical image was the x-ray in 1895. That was the first time you got imaging of anything that's in the bodily interior.
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