For a while, I was drawing on good paper, but now I've gone back to the bad stuff. I put matte medium on it. If you put matte medium on it, it seals up, so it doesn't really matter.
I used to do stop motion in my own garage and Claymation and all that stuff. That led to doing backgrounds and matte paintings. I started doing matte paintings professionally back before the computer, sort of painting on glass.
Bad criticism has followed things like comic books or TV, and they put down a medium. A medium cannot be inherently good or bad.
Every medium has its advantages and weaknesses and there are many things I can put down on paper that I might not be able to put into film or into a stage performance. In each form, one can communicate powerfully in different ways.
It's a new medium, it's a universal medium and it's not itself a medium which inherently makes people do good things, or bad things. It allows people to do what they want to do more efficiently.
I find that with any good run on a show with good writers, they put something on paper, and you put something back on film, and that affects what they put on the paper the next time.
Motion pictures are a director's medium. Broadway is a writer's medium. Television is a producer's medium. I picked a medium I could control.
They say that theater is the actor's medium, television is the writer's medium and film is the director's medium, and it's really true.
I have had a hard time settling on one medium and feel like a dilettante at times, taking up one medium and then wanting to learn to work in another. At age 76, I really don't have the time to settle down to one medium when there are so many avenues to explore.
For me, I wanted to be an actor without being bothered about the medium. So when the opportunity came my way, it did not really matter on which medium I am working.
I was really an actor before I knew I could sing. And I just put the two together and went to musical theater school. But acting is a huge passion of mine, so it doesn't matter which medium as long as I have the opportunity to grow and to learn from a piece of work and work with good people, and on a very good-quality project.
To me, it's really easy to feel glamorous and beautiful with red lips. It's great because you don't have to do anything else. I don't have to do anything to my face. I can have cleanly washed hair and if I just put on like a matte red lip, it just makes everything seem special.
I think there are more good young actors now than ever. It's a medium that everyone wants to be connected with - it is such a hip medium going into the 21st century.
But I think there are more good young actors now than ever. It's a medium that everyone wants to be connected with - it is such a hip medium going into the 21st century.
The truth is that filmmaking is not really an actor's medium; it's really a director's medium, so all I can really control is the character that I'm playing. So I try to look for characters that are interesting and engaging and different than what I've done before and hopefully it becomes a good movie.
I think theatre is an actor's medium, while cinema is a director's medium.
Film is a temporal medium as much as it is a visual medium: you're playing with time, and you don't have that ability where someone can pause at home. That's such a fundamental part of what makes filmmaking exciting to me. I don't really have as much interest in any other medium. I just like the control.