A Quote by Jean-Michel Basquiat

I wanted to be a star, not a gallery mascot. — © Jean-Michel Basquiat
I wanted to be a star, not a gallery mascot.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
I guess if you're a professional mascot, you're doing it for the money, but a college mascot just wants to be out there.
When I stepped back from the gallery I was in a phase where I thought I wasn't going to be making work for a gallery context for a while. People were like, "You should never leave a gallery if you didn't have somewhere else to go," but I wasn't trying to disrespect the gallerists in that way.
When I found out after that first successful exhibition that the gallery wanted me to do another show like the first one, I come out two years later with four 6-foot drawings of classical nudes masturbating. The gallery director flipped the freak out!
I wanted to be a political science professor and go to school in Boston. I never wanted to be a big, famous movie star and TV star. It kind of found me.
I wanted to be a rock star. I dreamed of it, and that's all I dreamed of. To be more accurate, I wanted to be a pop star. This was in the late '80s. And mostly, I wanted to be the fifth member of Depeche Mode or Duran Duran.
At one point Trudeau mentioned to me that the National Gallery wanted to buy a masterpiece by the great Italian painter Lotto, and it needed a million dollars from the Treasury Board. "Is that Lotto-Quebec or Lotto-Canada?" I joked, but I got the message, and the National Gallery got the painting.
I've been collecting photos for a long time, I mean since I started making money. But what you have had to go through to find a good photo is like a needle in the haystack sometimes. You'll drive from one gallery to the next gallery to the next gallery. It's not an easy process. It's a very ancient model that just hasn't caught up with the times.
People see owning a gallery as a way to get rich. I never thought that I could get rich in the art world. I wanted a life in art. I wanted to live with artists. I wanted to make beautiful shows.
I was fanatically ambitious. All I ever wanted was to be a star. I didn't want to be a singer. I didn't want to be an actress. I wanted to be a star.
I visit a lot of art galleries. I live in Dublin and there's a very good gallery called the Kevin Kavanagh gallery.
I wanted to be a star. I wanted to become a dancing star but didn't think I would become an actor.
I love the gallery, the arena of representation. It's a commercial world, and morality is based generally around economics, and that's taking place in the art gallery.
I think when I was younger, I wanted to be a star, until I became a star, and then it's a lot of work. It's work to be a star. I don't enjoy the stardom part. I only enjoy the creative process.
My mom always wanted me be a ballerina, and I was just adamant that I wanted to be a track star. I wanted nothing to do with ballet.
I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
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