A Quote by Jean-Michel Basquiat
I like kids' work more than work by real artists any day.
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I love being a mum, but it's much more intensive work than being an actress - going to work feels like you've got a day off. Not that I want a day off from being a mum; it's just perhaps I had this impression before that mums don't work. But they work more than anyone.
When artists find other artists that they love to work with, they more than likely will continue to work with them throughout their career.
I say this all the time, but when I go to bed at the end of the day, and I put my head down on the pillow, I really feel such a sense of satisfaction, and I'm so proud of my kids that they have this amazing work ethic, and we get to work with each other every day, so it doesn't get any better than that.
The praise for 'Cape Fear' will help me work more artfully - I can work with real artists, like Robert De Niro and the directors, and then go to artland, which is the best land to be in in this world.
My writing day follows my family's day. I get a good few hours in the mornings when the kids are out of the house. And I don't work at night any more. I like to see my family.
There is no truer and more abiding happiness than the knowledge that one is free to go on doing, day by day, the best work one can do, ... , and that this work is absorbed by a steady market and thus supports one's own life ... Perfect freedom is reserved for the man who lives by his own work and in that work does what he wants to do.
I like to go to work, and also, I don't have any kids. I don't have any hobbies. I don't like to travel. So going to work is kind of it.
Vulnerability of artists is definitely what makes organizations like PEN necessary because, as I tried to argue, the actual work that writers and artists do has an ornery way of surviving. Particularly in this age of the internet, it is very easy for forbidden work to be found online somewhere if you know where to look. Artists themselves, however, are in increasing danger, and not just artists. The great concern is that year after year, rising numbers of journalists are being killed in pursuit of their work.
There has to be some more regulation. But our kids have this incredible buffet of they can work in genomics, they can work in pre-omics, or they can work in robotics, or they can work in this, or they can work in that. And within the next five years there will be entirely new industries that come out of nowhere that kids are working in that would have been inconceivable when they started college. Not when we started college.
I have arrived more definitely than any other painter during his lifetime; honours shower upon me from every side; artists pay me compliments on my work; there are many people to whom my position must seem enviable ... But I don't seem to have a single real friend!
I don't work more than 8 hours a day. At times, people get angry with me because of this, but I can't work more than that.
I always thought, I can't waste time, I have to do work. I also thought that I was slower than other people, that I had to concentrate more. I always thought, I'm not brilliant, I have to work. That was something I embedded in myself very early: I have to go home and write. But did I get any more work done than people like Frank O'Hara, who were always going to parties? Probably not.
Coming from a YouTube perspective, a lot of times you kind of limit yourself and think, 'Oh, artists from the real world wouldn't want to work with someone who's made their career on YouTube.' But more and more, I'm realizing that artists from both sides are learning that we can benefit from each other.
In a play, certainly, the subject is of more importance than in any other work of art. Infelicity, triviality, vagueness of subject, may be outweighed in a poem, a novel, or a picture, by charm of manner, by ingenuity of execution; but in a drama the subject is of the essence of the work-it is the work. If it is feeble, the work can have no force; if it is shapeless, the work must be amorphous.
I'd prefer to invite the artists simply to work and have fun with Guatemalan artists. To share missions of life. Maybe that is more important than seeing an exhibition.
I probably would like to do more than I do, because I love working, but I can't work more than I work because I have to do some facetime with the family, and the work that I do is just all-encompassing.
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