A Quote by Jean-Michel Jarre

As a musician, I have always strived for my albums and live performance to render a sound as close as possible to perfection. — © Jean-Michel Jarre
As a musician, I have always strived for my albums and live performance to render a sound as close as possible to perfection.
Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.
I like that kind of classic-type sound. A lot of my favorite albums were tracked live, with a four-piece band. I love the way those albums sound, but I want to make records that sound like that in the way I like to make stuff.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
I've always seen myself as a working musician but now there's no money in records for the artist at all, it's all in live performance.
Right from the beginning, I always strived to capture everything I saw as completely as possible.
On the musical side, I always wanted to kind of carry on Pink Floyd's sound. You know, Pink Floyd always had such an original, creative and masterful sound, but there are no new albums. My thought was that there's a way to keep their sound alive.
I have been very hard on myself and strived for unrealistic goals of perfection.
I think what's cool about Slayer is no matter how old their albums are, it's the one band to me that their sound is immortal. It never sounds corny to me. You can go back and listen to some Pantera and Metallica albums, and you're like, 'OK, great music.' But Slayer, you go back, and they always sound fresh and hard as hell.
Some people say we have thirteen albums that all sound the same. That isn't true. We have fourteen albums that all sound the same.
When it comes to independent music albums, you cannot put in 50 lakhs or a crore in each and every song to first make a video and then even promote it. It's not possible for a musician or a singer to promote each song. It's not possible for musicians to do that independently.
What makes the world such a wonderful place is the diversity. I have always strived to fill my home, my office and my hotels with the most diverse crowds possible.
I don't think perfection is possible. I think you can attempt to reach perfection, but I don't think it's a possible thing. I think perfection is a moving point, and we spend our artistic lives chasing it.
Close to the Edge, Red, One of a kind, Discipline, Earthworks, The Sound of Surprise, all seem to me to be albums that captured the essence of the intention.
The perfectionist is bound to be a neurotic, he cannot enjoy life, until he is perfect. And perfection as such never happens, it is not in the nature of things. Totality is possible, perfection is not possible.
For me, the most important thing is the element of chance that is built into a live performance. The very great drawback of recorded sound is the fact that it is always the same. No matter how wonderful a recording is, I know that I couldn't live with it--even of my own music--with the same nuances forever.
It is not always possible to be the best, but it is always possible to improve your own performance.
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