A Quote by Jean-Michel Jarre

To me, the original VCS3 synthesizer is like a Stradivarius. — © Jean-Michel Jarre
To me, the original VCS3 synthesizer is like a Stradivarius.
My first synthesizer was the VCS3. I got it in Bristol in the late Sixties, long before Pink Floyd used them. I had to sell an acoustic guitar and an old reel-to-reel tape recorder to raise the money. You can do fantastic things with modern computers, but you cannot use them in the same intuitive, spontaneous way you can a VCS3.
All those ethereal string sounds on 'Oxygene IV' come from the VCS3. It was the first European synthesizer, made in England by a guy called Peter Zinoviev. I got one of the first ones.
I always have loved the Stradivarius. My teacher, Josef Gingold, he had a Stradivarius. As a treat, he would put it under my chin and let me play a few notes, and I remember that feeling of the overtones, the complexity of the sound. It's like a great wine.
If you have a Stradivarius and nobody to play it, it's just a Stradivarius. Or is it even that? It's nothing.
I inherited a painting and a violin which turned out to be a Rembrandt and a Stradivarius. Unfortunately, Rembrandt made lousy violins and Stradivarius was a terrible painter.
If the guitar synthesizer is really going to stand as a synthesizer on its own, it needs to develop a more characteristic sound; I don' think it's gotten there yet.
I am in touch with a company that hopes to replicate my voice. However, they are not replicating my original voice - if they did that, I would sound like a man in his 20s, which would be very strange! They are actually trying to replicate the synthesizer that sits on my wheelchair.
Never let your wife prevent you from buying equipment. A car will not buy a synthesizer, but a synthesizer can buy a car.
An original something, dear maid, you would wish me to write; but how shall I begin? For I'm sure I have not original in me, Excepting Original Sin.
When you can inspire other people to do something they couldn't do before, that's a very satisfying feeling. Sometimes I meet people and they're over the top excited to tell me how much they love Razor. There is no shortage of synthesizers out there, every week there's a new synthesizer, especially plugins - there is a lot of competition - so if you make somebody really excited about synthesizer it really feels good, so it's a source of a lot of pride and satisfaction.
Watching your daughter being collected by her date feels like handing over a million dollar Stradivarius to a gorilla.
For me, the guitar synthesizer is a great writing instrument.
The trick to playing second fiddle is to play it like second Stradivarius.
For me it always comes down to what is a good song and I'm very old fashioned in the way that I like to make songs that have something classic about them whether you can play them with an orchestra or an electro synthesizer or an acoustic guitar.
To me, I don't see any difference between a synthesizer and an acoustic instrument. It's what's done on it that counts.
You never want to have a movie be derivative, because that's the worst if you ask me. I always want to be in original material, or an original idea, or an original vision, rather than a rehash of some other movie.
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