A Quote by Jean O'Leary
I don't want to make it sound like a hotbed of lesbianism but I did have a number of relationships.
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I like that kind of classic-type sound. A lot of my favorite albums were tracked live, with a four-piece band. I love the way those albums sound, but I want to make records that sound like that in the way I like to make stuff.
I don't want to sound like Ross; I don't want to sound like Puff. I want to make my own music: French Montana.
I did sound for a number of years, so I know the pain of the sound mixer on a set where everybody was talking.
I'm very interested in vertical space.I want the players to listen to their sound in such a way that they hear the complete sound they make before they make another one. So that means that they hear the tail of the sound. Because of the reverberation, there's always more to the sound than just the sound.
Prince didn't want to sound like Michael Jackson. Neither of them wanted to sound like Luther Vandross. They didn't want to sound like David Bowie. They were all different, but brilliant.
I know when I started I would have been happy to sound like the Beatles or Joe Tex or whoever. You want to sound like most bands, you want to sound like their records and that's how you learn your chops.
It really isn't very glamorous to sing because you have to make all these funny faces to make it sound like the record. You really want to sound the best you can so you have to make all these disgusting faces.
There have been, in my life, a number of times when I have intentionally made decisions that I knew would mean I would make less money or be less influential. I did this because, for whatever reason, it just wasn't worth it. It wasn't worth the stress, it felt icky, it relied on me exploiting relationships that I valued. Stuff like that.
I have a lot of creative control, so I can decide what I want to wear, what I want my brand to look like, what I want my songs to sound like, so I don't sound like some fake artist that people can't relate to.
I want to have bosses around me, 'cause at the end of the day, 10 years from now, 20 years from now, you want to make relationships to keep 'em, you know what I'm saying. So I make my relationships to keep 'em - all my relationships - not try to burn bridges that you may need to cross over one day.
People tend to believe that I want to make soul music, which is not entirely untrue but, really, I want to be like the black Tom Waits - I don't want to make one kind of sound.
Oh my gosh! I can't tell you the number of times people have put autotune on my voice, and I'm like, 'Please take it off!' You don't even sound human; it makes you sound like a robot!
We thought we'd name the magazine for the number of bridges within Edmonton's city limits. We thought this number was 18. Much later, we learned that the number is actually 21. But we didn't like the sound of that so much.
Relationships help you learn more about what you want. If one doesn't work out, you just kind of look at it and go, Okay, well, this is what I did like and this is what I didn't like, and this is what I did wrong, and maybe I need to be more like this. And so you learn things, and that's why you grow. And you bring all the stuff that you've changed about yourself to a new relationship until you finally find that person you really, really want.
Fans don't know what they want. Fans are like, 'Oh, I want the stuff that you did in the last album because I really liked it, and if you don't do that, I'm not going to be your fan no more.' Or they'll be like, 'I didn't like that project. He doesn't sound like him on it,' or 'You're wack. You're mainstream now.'
The movie studios, they only like to make - I make a joke, but it's true - if the movie has the word "man" and a number in the title, they'll make it. If it doesn't have that, it's an R-rated raunchy comedy, and that's it. Any other movie that you're going to make is going to be an independent one. So for filmmakers who want to do something other than "man" and a number, it's either independent films or television, which is like the place for real creative filmmakers to go.
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