A Quote by Jean-Paul Belmondo

I insist on doing all my own film stunts, although they are often worked out in advance by a stunt man who then advises me on the best and safest method of performing it. — © Jean-Paul Belmondo
I insist on doing all my own film stunts, although they are often worked out in advance by a stunt man who then advises me on the best and safest method of performing it.
It's our job to get into the hardest-to-see places and bring back the best footage - we have the best footage of North Korea ever shot. If that's a stunt, then I'll keep on doing stunts until I die.
I like being able to do all of my own stunts. I appreciate stunt guys and what they do and, of course, the time and the effort that they put in, but for me, I'm young. You only live once, so to be able to do all your own stunts, train, become a real fighter... I feel like I can hold my own.
That one was stunt heavy. 'Monster Trucks' was a lot of stunts. I got to do some insane stunts they should've never let me do.
I don't do stunts and I don't think many actors do. For an actor to say they do their own stunts I don't think is very respectful of the profession of stunt men and women.
I do most of my own stunts because the stunt guys show me how.
My boy, that was a TV show. I used a stunt double. I always use a stunt double. Except in love scenes. I insist on doing those myself.
You do your own stunts as an actor, and you end up getting hurt. It's not your job. You've got stunt guys. Stunt guys make a lot of money.
For the most part, I do a lot of my own stunts. On 'The Final Destination,' they kept pulling my stunt woman in, and I'd shoo her away. I'm a black belt in tae kwon do, so I was adamant about doing stuff myself.
I have an Honors Degree in Drama from the University of Alberta, but when it was done I knew a life in modern theatre was not for me. While figuring out what the hell I might do instead of theatre, I spent a couple of days on a horror film doing stunt work. I'd never been behind the camera before, and I loved everything about it. I joined the local film co-op - The Film and Video Arts Society of Alberta - because you could trade skills for experience. These indie filmmakers were making their own stuff their own way, all the time. Instant education.
I always wanted to be a stuntman. If acting went well and I was able to take a year out, I might train and get on the stunt register, which gives you qualifications so you can do more of your own stunts.
I really enjoy doing stunts, especially. I had never done any stunt work, ever, in my life before, and in our first episode of 'Legacies,' I was doing a bunch.
I had my neck hurt for like five years, I could barely move my neck from doing this stunt, I almost died twice doing stunts, it's really dangerous.
So there was always a stunt coordinator on those films that was from Stunts Unlimited and I was just one of the young warriors from Stunts Unlimited that got to be a part of it because it was a big show and they needed a lot of guys.
But I loved doing the physical stuff for 'Dredd.' I have to give a shout-out to the stunt team that I worked with.
For me the stunts are so cool, they're one of my favourite things when we're doing the film.
The best and safest method of philosophizing seems to be first to inquire diligently into the properties of things, and establishing those properties by experiments, and then to proceed more slowly to hypotheses for the explanation of them.
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